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Tupac Shakur, Pearl Jam, Yes to be inducted into Rock Hall

The late rapper Tupac Shakur and Seattle-based rockers Pearl Jam lead a class of Rock and Roll Hall of Fame inductees that also include folkie Joan Baez and 1970s favorites Journey, Yes and Electric Light Orchestra.

The rock hall also said it would give a special award to Nile Rodgers, whose disco-era band Chic failed again to make the cut after its 11th time nominated.

Baez will be inducted only months after her 1960s paramour, Bob Dylan, was awarded the Nobel Prize for Literature.

The hall’s 32nd annual induction ceremony will take place on April 7 at Barclays Center in Brooklyn. HBO will show highlights later, with SiriusXM doing a radio broadcast.

Shakur was shot and killed after attending a boxing match in Las Vegas in 1996, a murder that has spawned conspiracy theories but remains unsolved. “Changes,” “Keep Ya Head Up,” “Ambitionz Az a Ridah” and “Life Goes On” are among his best-known songs. Only 25 when he died, Shakur left behind a trove of music that was released posthumously.

Pearl Jam exploded in popularity from the start in the early 1990s behind songs like “Alive,” “Jeremy” and “Even Flow.” After Nirvana, it is the second band with roots in Seattle’s grunge rock scene to make the hall. Behind singer Eddie Vedder and other original members Mike McCready, Stone Gossard and Jeff Ament, Pearl Jam remains active and is a popular live act.

Vedder is no newcomer to rock hall ceremonies, having given induction speeches for Neil Young and the Ramones.

Baez was a political activist and mainstay of the folk movement, performing at the first Newport Folk Festival at age 19 in 1959. She was known primarily as an interpreter of others’ songs, introducing Dylan to a wider audience at the beginning of his career. Their affair ended badly in 1965, for which Dylan later apologized.

Baez’s own “Diamonds and Rust” in 1975 was one of her biggest hits.

Journey’s 1981 song “Don’t Stop Believin”” was given new life by being featured in the closing scene of HBO’s “The Sopranos” and became a favorite of a new generation. Its 6.8 million iTunes sales makes it the most-bought song on that platform from the pre-digital era, according to Nielsen SoundScan.

Former singer Steve Perry, estranged from the band for many years, offers some potential rock hall drama: will he show up for his induction? Founding member Neal Schon was quoted in Billboard recently saying that there are so many non-rock artists in the hall that “I don’t really care about being there.” He did allow that it would be nice for fans of the band, never a critical favorite.

Britain’s Yes, known for its complex compositions, was a leader of the 1970s progressive rock movement. Yes’ hits include “I’ve Seen All Good People,” “Roundabout” and “Owner of a Lonely Heart,” and its fans have waged a vociferous campaign to see them honored. Founding bass player Chris Squire, the one constant in many years of personnel changes, died in June 2015.

Electric Light Orchestra got its start melding classical influences to Beatles-influenced pop, and charted with “Evil Woman,” “Mr. Blue Sky” and “Don’t Bring Me Down.” The band essentially exists now in leader Jeff Lynne’s imagination and home studio and had a mildly successful comeback a year ago.

Chic, led by Rodgers and the late Bernard Edwards, has become the rock hall’s version of Susan Lucci and her long quest to win a Daytime Emmy. While Shakur, Baez, Pearl Jam and ELO were elected this year in their first time on the ballot, Chic has endured years of disappointment.

The hall’s award for musical excellence to songwriter and guitarist Rodgers is no consolation prize. When disco cooled, Rodgers became one of the hottest producers in the business, behind the boards for some of the ‘80s most indelible albums: David Bowie’s “Let’s Dance,” Madonna’s “Like a Virgin” and the B-52’s “Cosmic Thing.”

Nostalgic for the ’90s?


Nick Cave and The Bad Seeds

On the expanded and re-mastered CD/DVD reissues of The Bad Seeds’ “Let Love In” (1994) and “The Boatman’s Call” (1997), Nick Cave comes off as the Australian Leonard Cohen. Where “Let Love In” balances balladry with bluster, “The Boatman’s Call” is exquisite from start to finish, beginning with the to-hell-with-hallelujah “Into My Arms.” This is utterly essential listening.

The Strokes

The worldly music influence of “Machu Picchu,” the opening track of “Angles” (RCA), suggests The Strokes have been listening to Vampire Weekend (or could that be vice versa?). Regrouping after pursuing solo and side projects, The Strokes sound revitalized on this release. The angle here tilts toward fun, from the bouncy and light “Under Cover of Darkness” to the dance rock of “Two Kinds of Happiness” to the potential dance-floor smash of “Games.” Welcome back, Strokes!

Beady Eye

Anyone possessing the least bit of familiarity with the brawling Gallagher brothers of Oasis knew that the band was doomed. The fact that they lasted as long as they did (15 years or so) is something of a miracle. Liam Gallagher has returned with a new band, called Beady Eye, and a new album, titled “Different Gear, Still Speeding” (Dangerbird). You don’t have to dig deeply to hear the similarities between Gallagher’s previous band and the current one. His distinctive vocals alone have the power to conjure up Oasis. But he sounds – dare I say it? – less snarly and somewhat more at ease.

Pearl Jam

After Pearl Jam’s grunge-metal debut disc, the group veered in a slightly more commercial direction with 1993’s “Vs.” There is still a vocal chord-shredding and head-bobbing rawness to tracks such as “Go,” “Animal” and “Blood.” But then you have “Daughter” and “Elderly Woman Behind the Counter in a Small Town” to give you more to ponder. Next up was 1994’s “Vitalogy,” containing the band’s most punk rock cut – “Spin the Black Circle” – alongside rave-ups such as “Whipping,” “Nothingman” and “Better Man.”

Both “Vs.” and “Vitalogy” have been reissued and repackaged in expanded editions, along with the “Live at the Orpheum Theater April 12, 1994” disc, in an Epic/Legacy box set.

Foo Fighters

Out of the premature ashes of Nirvana sprang Foo Fighters, led by Dave Grohl. He’s still “gathering the ashes,” as he sings on “Bridge Burning,” the first track on “Wasting Light” (RCA/Roswell). That’s one of 11 songs that listeners are encouraged to “play at maximum volume.” In the midst of all the FF-style chaos, there’s much radiance, including “Rope,” “Arlandria” and the luminescent “Walk.”

Ben Ottewell

Even if you don’t know the name Ben Ottewell, you’ll probably recognize his voice as the lead vocalist of the British band known as Gomez. Ottewell steps out on his own on “Shapes and Shadows” (ATO). While it’s a pleasant exercise, it’s clearly not meant to be taken as a sign that Gomez fans should worry about the group disbanding.

Ted Leo and the Pharmacists

Since their late 1990s debut, Ted Leo and the Pharmacists have been mining the political pop/punk vein. Their latest, “The Brutalist Bricks” (Matador), continues the tradition on tracks such as “Mourning In America,” “Bottled in Cork,” “Buzzing of Bees” and “Last Days.” Leo delivers revolution rock in all its glory.