Tag Archives: Kate Beckinsale

‘Deadpool’ in, ‘Silence’ out and more Globes film surprises

The Hollywood Foreign Press Association never fails to disappoint with their assortment of nominees, which always seem to include some expected picks, some inspired ones and some headscratchers too.

The nominations for the 74th annual Golden Globes certainly had some bombshells, too. Here are a few notable snubs and surprises.


Past Globes glory didn’t seem to matter this year for Hollywood legends Clint Eastwood, Martin Scorsese and Warren Beatty, none of whom received directing nominations despite all having won in that category at least once. In fact, Eastwood’s “Sully” (that means no Tom Hanks nomination either) and Scorsese’s “Silence” were shut out completely, while Beatty’s big return to directing and acting, “Rules Don’t Apply,” scored only one nomination — for actress Lily Collins.


Whit Stillman’s Jane Austen adaptation “Love & Friendship” charmed audiences and critics, but was left without a single nomination — especially surprising in the case of Kate Beckinsale, whose performance as the conniving and ambitious Lady Susan Vernon has been widely regarded as one of her best. Instead, in the musical or comedy category, the HFPA singled out the little-seen John Carney musical “Sing Street.”


Besides being a superhero movie, the irreverent and very R-rated “Deadpool” is about as far away as one can get from a stereotypically tasteful awards choice, but somehow still scored two nominations — one for best motion picture in the musical or comedy category and another for star Ryan Reynolds. Perhaps they draw the line at animated food orgy, though — “Sausage Party,” despite a big awards push, was left out of the fun.


The comedy and drama distinction always allows for a few out-of-nowhere contenders, but the best performance by an actor in a musical or comedy was stacked with unexpected picks, including Colin Farrell for his performance as a single guy looking for love in the dark as night comedy “The Lobster,” Ryan Reynolds for “Deadpool,” and Jonah Hill as a bro arms dealer in the generally panned “War Dogs.” In the supporting category, Aaron Taylor-Johnson sneaked in with a nod for his portrayal of a sadistic Texan in “Nocturnal Animals” and Simon Helberg for his crowd-pleasing piano player in “Florence Foster Jenkins,” which elicited a gasp from those in the room at the Beverly Hilton while the nominations were being announced.


“Miss Sloane,” the Jessica Chastain-led lobbying thriller, might have bombed at the box office this weekend and received generally tepid reviews from critics, but it didn’t stop the HFPA taking notice of Chastain’s performance as the always three steps ahead of the competition Elizabeth Sloane. Since 2012, Chastain has been nominated for four Golden Globes and won once, in 2013, for “Zero Dark Thirty.”


With the statistics of female representation behind the camera as dismal as they are, it might not be that much of a surprise to find zero films directed by women up for best picture or best director this year. Yet it is notable, especially with critically acclaimed fare like Andrea Arnold’s “American Honey” and Mira Nair’s “Queen of Katwe,” both of which were shut out completely. The one saving grace is in the foreign category, where Maren Ade’s comedy “Toni Erdmann” is the nominee from Germany and Uda Benyamina’s “Divines” is nominated from France.

Colin Farrell is the best thing about the remake of ‘Total Recall’

In the late 21st century, following catastrophic destruction caused by a global chemical war, Doug (a fit Colin Farrell) works in a factory in the Colony that manufactures a synthetic police force. The Colony, one of two surviving nations – the other being the United Federation of Britain – is basically a territory of workers. The Fall, a transport vehicle that shuttles people back and forth between the two continents, is both a modern convenience and means of enslavement.

Happily married to UFB cop Lori (the robotic Kate Beckinsale), his sleep is regularly interrupted by the frightening “same dream” at the “same time.” Doug’s mostly boring and routine life hits a glitch following a visit to Rekall, an establishment that sells complete sets of memories to its clientele. Before you can say Arnold Schwarzenegger, Doug realizes that he isn’t who he thinks he is. In fact, he’s Hauser, a spy with a skill set that would make Jason Bourne jealous.

Lori, who was simply biding her time until Hauser figured out who he was, then proceeds to do everything in her power to destroy him. But Lori’s boss, the ruthless and corrupt ruler Cohaagen (Bryan Cranston), wants Hauser brought in alive.

What follows is a series of extended chase and fight scenes, interrupted only to follow a potential love interest developing between Hauser’s fellow agent Melina (Jessica Biel) and set pieces that unapologetically recall those from “Blade Runner.”  Farrell is a natural action/adventure hero and is the primary reason for seeing “Total Recall.”