Tag Archives: Christopher Gilbert

Wisconsin Sound #7

 

Tenement at Panther Arena. [PHOTO - Joe Kirschling]
Tenement at Panther Arena. [PHOTO – Joe Kirschling]
PUNK ROCK AT PANTHER ARENA

“They’re America’s greatest rock and roll band,” Joe Kirschling told me as we stood in the lobby of the UWM Panther Arena in downtown Milwaukee. The photographer and SIN BAD drummer was referring to Tenement, a cult punk band from Appleton. “I used to think I was the only one saying that, but they’ve been written about in The New York Times and Grantland.”

Indeed, Kirschling’s words weren’t mere hyperbole. And yet there we were, hanging out in the lobby of the UWM Panther Arena before a motorcycle race, waiting to see “America’s greatest rock and roll band.” It was an odd affair to be sure, with (free) music starting at 5:30 p.m. from Platinum Boys, Milwaukee’s premier power-pop party band.

Tenement at Panther Arena. [PHOTO - Joe Kirschling]
Tenement at Panther Arena. [PHOTO – Joe Kirschling]
Arena employees were seen complaining about the volume being too loud. Luckily most kids came prepared with ear muffs for the motorcycles. There wasn’t a big crowd hanging around to see the bands. Most people just walked on by. But for about 15 minutes or so that lobby got an unanticipated performance from one of the best bands in Wisconsin, if not America.

The traditional Tenement trio was joined by an endearing tambourine/vocal duo for a fiery three-song set. Frontman Amos Pitsch is a fantastic guitar player, even when tucked into what my girlfriend described as “a public bathroom.” Tenement’s brief set made us regret missing the band at Eaux Claires and Mile of Music.

Milwaukee hardcore group Midwives finished off the lobby lineup, eliciting some “rock on” hands and air drumming from the crowd making their way to the motorcycle event. Free pre-game lobby rock (or rap/folk/jazz/electronic/etc) would be more than welcome during the Admirals debut season in the Arena.

THE ECLECTIC BACK ROOM @ COLECTIVO

Siren at The Back Room @ Colectivo [PHOTO - David Szymanski]
Siren at The Back Room @ Colectivo [PHOTO – David Szymanski]
The Pabst Theater Group began revitalizing Milwaukee’s live music scene in 2002. Renowned artists who once skipped Milwaukee on tour now find themselves playing sold-out shows at The Riverside, The Pabst, and Turner Hall Ballroom. Last year the Pabst Group extended their reach by adding The Back Room at the Colectivo on Prospect to their roster of venues.

The Back Room debuted last summer and in just over a year has established itself as one of the best (albeit only) intimate all-ages venues in town for national touring acts. While it has stuck mostly to folk and acoustic-leaning indie rock acts, The Back Room has expanded its jazz programming and began featuring harder rocking bands.

Gosh Pith at The Back Room @ Colectivo [PHOTO - David Szymanski]
Gosh Pith at The Back Room @ Colectivo [PHOTO – David Szymanski]
Local bands have been added to a few Back Room shows, but on October 7, Detroit’s electro-rock duo Gosh Pith were joined by three of the finest and most eclectic local artists. The lineup was curated by Sam Ahmedbetter known as experimental hip-hop artist WebsterXand included his New Age Narcissism collaborator Siren, synth wave rockers NO/NO, and electronic artist Liquid City Motors.

While you might not think the back room of a coffeehouse can fit that many people, the capacity in The Back Room is 297. It’s a warm space with wood floors, plants, brick, and a quality sound and lighting system. The Gosh Pith show did not reach capacity, but those who made it out were attentive and engaged. It was an early start and early finish, ideal for the all-ages crowd. It was also my first time seeing Gosh Pith and they impressed with a unique blend of electronic, rock, and hip-hop.

HALLOWEEN CONCERT PREVIEW

Madison Halloween 2005. [PHOTO - Joey Grihalva]
Madison Halloween 2005. [PHOTO – Joey Grihalva]
The highlight of my one semester at UW-Madison was the chaotic, riotous, entertaining, and momentarily scary Halloween. The night did not become frightening because of some spooky holiday vibes, but because riot police eventually marched down State Street, blanketing the thoroughfare with pepper spray and making mass arrests.

After bar close State Street got out of control, with huge piles of costumes set ablaze, storefront windows being broken, and all kinds of drunken revelry. I went to visit Madison for Halloween the next year and the situation got worse. That year police used sound bombs, rubber bullets, floodlights, pepper spray and a brigade of police horses. That was 2005.

In 2006 the City of Madison decided to finally do something to curtail the violence and vandalism associated with Halloween. They began charging a small admission fee to enter State Street, which was gated and contained. Arrests were cut in half. In 2007 the city partnered with Frank Productions to bring live music to what is now called Freakfest. The event has grown into the region’s largest Halloween party and music festival, having featured headliners such as OK GO, Matt and Kim, Mac Miller, and Atmosphere. The city reported only 9 arrests in 2015, down from 334 in 2005.

Freakfest 2016.
Freakfest 2016.

The 2016 edition of Freakfest has arguably the best lineup to date, with one of hip-hop’s hottest stars headlining. Anderson .Paak & The Free Nationals delivered my favorite set at the Soundset music festival this year and that was early in the afternoon. The rest of the State Street mainstage lineup includes Minneapolis dance-pop rocker Har Mar Superstar, ex-Foxygen drummer Shaun Fleming’s solo project Diane Coffee, Sweet Spirit, and St. Paul and The Broken Bones.

Freakfest 2016 will also have a country stage on Gilman Street headlined by Kip Moore, plus Jon Pardi, Wheelhouse, Greta Van Fleet, and Adam Bartels Band. There will be a third stage on Frances Street featuring regional talent including Madison’s own rap phenom Trapo, Milwaukee-based/Madison-born hip-hop producer/rapper Mic Kellog, Chicago indie rockers The Kickback, Minneapolis rapper Lucien Parker, and Chicago rapper Rich Robbins.

img_7729Milwaukee will have a number of options for Halloween weekend concerts. Gloss Records is hosting a two-night Spooktacular. Friday will feature Sex Scenes, Surgeons in Heat, Rio Turbo, and Soul Low at Cactus Club. Saturday will feature Moon Rats, Piles, Soup Moat, and NO/NO at Riverwest Public House.

In 2015 Company Brewing held their first annual Nightmare on Center Street, which was a sold-out affair featuring Chicago’s Kweku Collins, Minneapolis’ MaLLy, Soul Low (in full KISS costume), Klassik, Foreign Goods, and New Age Narcissism. This year the event has expanded to include nearby Jazz Gallery Center for the Arts (all-ages), Club Timbuktu and High Dive. You can buy a $15 wristband for entry to all venues and gets you a free beer at High Dive.

There will be a wide array of musical talent at this year’s Nightmare on Center Street. Carl Nichols (guitar player for New Age Narcissism, De La Buena, Painted Caves, RAS Movement) will debut a new hardcore punk band at the Jazz Gallery that includes Bo Triplex, Taj Raiden, and Jake Diaz. Funky reggae, hip-hop influenced jam band Recalcitrant will headline Club Timbuktu, while High Dive will feature the No Stress DJs and performances by Kyndal J. and Chakara Blu.

Company Brewing will host a “Dinner and a Movie” at 7 p.m. featuring the Joshua Backes (New Boyz Club) led DIY Chamber Music ensemble accompanying the 1915 silent film Alice in Wonderland with a soundtrack written by four local composers. Beloved local psych-pop rockers The Fatty Acids will headline Company Brewing. There will be a special late night menu and drummer/dancer extraordinaire Christopher Gilbert will host a costume contest.

nightmareoncenter

NEW MUSIC FROM SEX SCENES, FIVY, AR WESLEY, CHAKARA BLU, AND ZED KENZO.

Back in the fourth installment of this column I mentioned running into Connor LaMue of Bad Wig at High Dive in Milwaukee. He told me about a new hardcore band he was in with Harrison Colby (Gloss Records, NO/NO), Zach Otto, and Chelsea Hayes. It didn’t take long for the band to release a fast and dirty demo, which you can listen to by clicking here. They hope to put out a record before the year is up.

fivyOur friends at Explain News premiered a new EP from Milwaukee songstress Fivy last week. The 5-track release is entitled “Dreamscape” and is definitely worth a listen. For more head over to Explain News.

Explain News also wrote up the new release from Milwaukee rapper AR Wesley. Check that out by clicking here.

Two Milwaukee femcees, Chakara Blu and Zed Kenzo, each put out a new track recently. Chakara’s is a woozy, bass-heavy track produced by Mr. Kou that you can listen by clicking here. In anticipation of her first project since moving back home to Milwaukee from Los Angeles, Zed Kenzo has released a single, “Scary Spice.” Listen to it by clicking here.

NEW VIDEOS FROM HEAR HERE PRESENTS

Last night Hear Here Presents celebrated one year of capturing live music performances from Wisconsin and touring musicians by doing what they do best, video recording new performances by the Rusty P’s and Klassik. In the fourth installment of this column I wrote about an experience attending a Hear Here Presents shoot in their new studio space. In the last month they’ve released four new videos from Lex Allen, King Courteen, New Boyz Club, and Chicago’s Grood. Watch them all below.

Wisconsin Sound 1

Salutations, WiG readers, and welcome to Wisconsin Sound, a new column that will explore the state’s thriving music scene. My name is Joey Grihalva, and I’ll serve as your intrepid guide, focusing on recent and upcoming events and releases from local musicians.

It’s been my pleasure to cover local music for various media outlets over the past few years, and I’m honored to continue my journey at Wisconsin Gazette.

Milwaukee raised me. After high school, I traveled for most of my 20s before returning home in late 2013. I came back to discover a more vibrant city than ever and a local music scene that’s driving a cultural renaissance.

We live in a world where 1,500 streams are equivalent to an album sale on the Billboard charts, and music videos can be seen by millions without ever being broadcast on TV. The internet has allowed musicians to reach an international audience without living in a major market or depending on a corporate network.

Touring is now the primary source of revenue for most musicians, elevating the importance of great live performances. Wisconsin has begun to carve out a place within this ever-evolving, globalized music industry.

This debut column will recap some of the major moments in Milwaukee music that I’ve experienced since returning home:

• The first time I heard “Gold” by GGOOLLDD on the radio.

I immediately Shazamed this dreamy, infectious single, but didn’t learn the group was from Milwaukee until months later. GGOOLLDD’s synth-pop sound and stylish, theatrical look is more than ready for late night TV. The sold-out audience who attended its January performance at Turner Hall Ballroom would agree. The group is one of just two local bands to headline and sell out Turner since 2000. (The other being Kings Go Forth.)

NAN performs at Siummerfest 2016
NAN performs at Siummerfest 2016 —PHOTO: Mahdi Gransberry

• Klassik releases “YRP” at Fire on Water on Dec. 13, 2013. Klassik was the golden child of Milwaukee hip-hop at the time, hot off the success of his funky single “Boogie.” He went on to redefine himself as both a powerful soloist and a member of two of the city’s finest supergroups — Group of the Altos and Foreign Goods.

But the primary significance of Dec. 13, 2013 was the birth of New Age Narcissism. That night, WebsterX met Q the Sun and together, along with Lex Allen, Lorde Fredd33, Siren, Christopher Gilbert, and a gang of affiliates, they ultimately created NAN — the vanguard of Milwaukee music. The collective’s intimate, all-ages debut on Jan. 30, 2015, at the Jazz Gallery Center for the Arts is a recent highlight of Wisconsin music history.

• Arte Para Todos 2015 and 2016. This benefit festival, founded by The Fatty Acids frontman Josh Evert and Made in Milwaukee’s Chuck Watson, took the city by surprise in the winter of 2015. The weekend long event, spread out over three neighborhoods, showcased a uniquely collaborative spirit throughout the local music scene. It also raised awareness and resources for struggling arts and music programs in Milwaukee schools.

Milo (aka Scallops Hotel)

APT 2015 was also my introduction to critically acclaimed rapper Milo (aka Scallops Hotel). It was his first show since relocating to Milwaukee from Los Angeles. APT 2016 expanded into an additional neighborhood and brought more musicians into schools for private, interactive performances just for students.

• Rio Turbo’s self-titled release show at Linneman’s Riverwest Inn on March 27, 2015. Linneman’s was definitely at capacity that night. The delirious, throbbing crowd was led by Joey Peterson (aka Joey Turbo). The beloved singer, bassist, label owner, bartender and party boy is a staple of the Milwaukee scene. Gloss Records, his label with Harrison Colby, is a leader in defining and supporting Milwaukee’s emerging sound, including NO/NO’s fantastic new record “Sound and Light.”

Jan. 22, 2015, was for me another significant night at Linneman’s — my introduction to Gloss artist Soul Low and Whips, two of the best rock bands in town. It also happened to be the day WebsterX’s game-changing video for “doomsday (feat. siren)” debuted.

• Jam sessions at Jay Anderson’s house. Saxophonist Jay Anderson was on his way to a rehearsal for Alverno Presents: Jones Uncovered when we first met. That production brought together multiple generations of Milwaukee musicians and since then Anderson has hosted informal jams at his Riverwest home on Humboldt Boulevard.

The warm, plant-lined space, packed with friends and musicians, brings to mind the St. Albans house jams that spawned the era of the Soulquarians (J Dilla, D’Angelo, Erykah Badu, Common, Mos Def, and others) in late 1990s/early 2000s Philadelphia, as described by Questlove (of The Roots) in his memoir Mo’ Meta Blues.

• Inaugural Eaux Claires Festival, July 17–18, 2015. Grammy-winning indie rock outfit Bon Iver, fronted by Eau Claire native Justin Vernon, is internationally adored and the most recent group to put Wisconsin on the music map. Vernon’s inaugural hometown festival, co-curated with The National’s Aaron Dessner, attracted fans from all over the world.

Wisconsin’s Eaux Claires Festival

The lineup relied heavily on Vernon’s circle, which is more Minnesota-heavy than Wisconsin, given Eau Claire is closer to the Twin Cities than our state’s urban areas. Milwaukee’s Field Report and Jon Mueller took part in EC 2015 and Appleton’s Tenement will play EC 2016. Like Arte Para Todos, a collaborative spirit characterized this Chippewa River-adjacent camping festival. In two weeks I will “Return to the River” and bring you a festival recap.

• Group of the Altos on a boat, Sept. 16, 2015. At one point GOTA had as many as 16 members. Even with their recent restructuring, they remain the most interesting band in Milwaukee. GOTA creates beautifully epic indie rock that builds and explodes. What better way to hear GOTA than on Lake Michigan and the Milwaukee River?

The combination of our scenic waterways and music scene makes for magical evenings aboard the Vista King and Voyageur. It is one of the things that make Milwaukee a special place. With concert cruises, cheap rent, local labels, a pair of supportive non-commercial radio stations, and an abundance of festivals, the Milwaukee music scene is ripe. This column will keep you connected to music and bands from all over Wisconsin.