Tag Archives: Brussels

Belgium tourist boards latch on to cat craze on social media

Belgium’s tourist boards have latched onto a social media craze of cats that gave Brussels light relief during a tense five-day security lockdown in the wake of militant attacks in Paris.

Images of the city’s streets deserted as security forces hunted suspected Islamist militants have dealt a blow to Belgium’s tourism industry, with hotels reporting many cancellations.

When police on Sunday asked the public in Brussels not to share details of their operations on social media, Belgians took to tweeting each other pictures of their cats.

Capitalizing on the social media hit, Belgium’s three tourist authorities have now released a 20 second video film showing cats at Brussels’s landmarks such as the historic Grand Place or the Atomium, which they said was filmed at the height of the lockdown.

The video depicts cats dancing all over the city, some wearing black bowler hats or with green apples in front of their faces in a nod to paintings of the Belgian surrealist painter Rene Magritte.

In the background, a saxophone is heard, an invention of the Belgian Adolphe Sax. The original trend drew a warm response on social media, and the tourist authorities said they wanted to show how proud they were of Brussels and its residents for their good-humored response to the crisis.

Belgium’s capital has been on maximum alert since Saturday over the threat of a possible Paris-style attack. A coordinated assault in which 130 people were killed in Paris on Nov. 13 was claimed by Islamic State.

Brussels, home to the European Commission, reopened its metro system and schools on Wednesday, albeit with armed police and soldiers still patrolling.

“Tourism Flanders, Visit Brussels and Wallonia-Brussels Tourism are proud of the people of Brussels and wanted to give them an extra boost,” they said. “Their winking cats evoked great sympathy at home and abroad.”

On the Web…

https://www.youtube.com/watch?v=3AB6K7rWlG4 

Pro Arte Quartet taps its Belgian roots

The Pro Arte Quartet wanted to honor its Belgian heritage when it commissioned Belgian composer Benoît Mernier to write a composition for its centennial celebration.

Mernier’s work — String Quartet No. 3 — will receive its world premiere on March 1 during a concert that also includes Haydn’s String Quartet in D Major Opus 20, No. 4, composed in 1772, and Bruckner’s String Quartet in F Major, written in 1879.

The Quatuor Pro Arte of Brussels, formed in 1911–12, was performing at the Wisconsin Union Theatre on the University of Wisconsin-Madison campus on May 10, 1940, when Nazi forces overran and began the occupation of Belgium. Three of the quartet’s original four musicians became war orphans.

Later that year, by October 1940, the group officially had become the UW Pro Arte Quartet — the first artist ensemble-in-residence at a university.

Today Pro Arte — featuring violinists David Perry and Suzanne Beia, violist Sally Chisholm and cellist Parry Karp — is known as the world’s oldest continuously performing string quartet. Frequent collaborator and violist Samuel Rhodes, a member of the Juilliard String Quartet, will perform with the four musicians on the Bruckner composition.

Mernier’s 25-minute composition consists of nine movements, all of which have a compositional relationship with each other. Some movements are distinct and deliberate, others flow together in an attempt to create a multidimensional structure, the composer says.

“The structural idea is to have a sort of linear music that moves in different directions,” Mernier says. “But at the end of the work there is a global sensation, like a story with different chapters. It will be up to the listener to structure and unify the different parts of the story.”

Mernier, who studied organ and composition at the Royal College of Music in Liege, Belgium, and records for the European label Cypres, also writes opera. “My favorite instrument is the voice, because the singing voice is the most expressive of all instruments,” he says. “The song is the model for all instrumentalists.”

For this reason, Mernier found composing for a string quartet challenging. Having one family of instruments to work with limited the voice of the composition, he says. But employing different musical styles, from pizzicato to arco, and playing sul ponticello (on the instrument’s bridge) or sul tasto (on the fingerboard), broadened the tonal appeal.

Mernier’s experience writing for voice shows in the finesse he applied to the strings. “I was not surprised to hear that Mernier’s favorite instrument is voice, as there is extensive use of portamenti and glissandi,” violinist Perry says. “I have never encountered a piece with more specific gradations of sul ponticello, or bowing close to the bridge for different shades of sounds with lots of high overtones. This technique can result in some unusual and often beautiful colors.”

Mernier’s style and status among his European colleagues influenced Pro Arte’s decision to choose him for the centennial commission.

The choice, says Chisholm, was a good one.

“The many quick changes of sonorities — from our most intimate to our most electrifying — are exciting techniques that demanded much practice,” says the violist. “The required virtuosity of string writing in the second half of the quartet is quite challenging. Paganini would be a warm-up for some of the viola writing!”

The Mernier commission represents the first for a non-U.S. composer in the centennial series.

It also brings Pro Arte back to its Belgian roots, a course that will include several concert dates in Brussels in May. The Belgian connection is something that makes the String Quartet No. 3 a very special work, Mernier says.

“In the history of modern music, the Pro Arte Quartet is very important,” the composer says. “I know the commission is a very great symbol.”

On stage

Belgian composer Benoît Mernier’s String Quartet No. 3 receives its world premiere by the Pro Arte Quartet at 8 p.m. on March 1 at Mills Concert Hall in the Mosse Humanities Building on the UW-Madison campus. Admission is free to the performance, which also includes Haydn’s String Quartet in D Major Opus 20, No. 4, and Bruckner’s String Quartet in F Major.