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Riverwest FemFest 2017 – In their words

By Joey Grihalva

Wisconsin has some incredibly talented female artists. That is not an “alternative fact.” 

But you might not know it if you went to any random concert, art gallery or comedy club. In an effort to address this gender imbalance, multiple venues in Milwaukee’s Riverwest neighborhood played host to a parade of female and female-identifying creatives for five days last week — from teenage rockers to soprano singers, visual artists to spoken word poets.

What was originally intended simply to be a basement party thank you to the inspiring women in Olivia Doyle’s life three years ago, has blossomed into Riverwest FemFest, possibly the state’s largest female-focused arts festival.

The third installment of FemFest took place amid an international outpouring of support for women and disapproval of President Trump. It also served as a fundraiser for the Milwaukee Coalition for Justice and the Milwaukee Women’s Center.

Rather than recap the festival, I interviewed over a dozen organizers and performers, allowing them to describe the significance of FemFest in their voice.

[All photos by Jessi Paetzke.]

Olivia Doyle, founder

I started it because I was feeling empowered by the women around me, to the point where it really changed my life. I went back to school. I started wanting more of myself because they reminded me that I deserve it. It was a truly powerful experience for me to meet all these women in Riverwest, so the first fest was really just a thank you. It was never meant to be what it is now. 

Why is the diversity of arts at the festival important?

Because women and femmes are creative in other ways that aren’t just music. And we want to showcase as much of their creativity as we can.

Have there been any growing pains with the festival over the years?

This year especially has been a real learning process for us, with the expansion of everything that we’re including and also with how big we’re getting. We’re reaching a lot more people. So it’s really like a community event and there’s lots of different people in this community, so learning to be as inclusive as possible is a process. 

What are some of the things you’re most proud of in terms of the festival?

As a whole, watching all these people perform that I love and I’m inspired by. I’m very proud to have created this platform. In terms of a specific moment, Jenna Knapp did spoken word, she’s a childhood friend of mine. Being able to introduce her and tell the audience why she’s so inspiring to me and then have her read her poetry, which people loved, it made me feel like a proud mom. It’s really wonderful to see all these people that I love and care about do what they love and care about.

Jenna Knapp [Photo by Jessi Paetzke]

Ellie Jackson, organizer and musician (Scape)

I’ve been involved in music and radio from an early age. I joined a community radio station when I was in college. When I got involved with music I realized there was like a 20-to-1 ratio between the bands I was playing that were male and the bands that were female. Not because I wanted to, but those were the numbers. I asked the station manager if I could do an all-female focused show and they told me that that was sexist. I said, “It doesn’t feel sexist though. The music industry is sexist!”

So for me FemFest is an opportunity to celebrate those female artists that I wasn’t given permission to celebrate before. Now we’re taking the permission. Riverwest is also where I live so the community here is very important to me. But certainly supporting creatives everywhere is also very important to me.

Why is it important to have a diversity of arts at the festival?

I think that we as a culture underestimate other arts. Like a great example is that here we are in this venue (Company Brewing) where you can come and buy a beer and watch music almost any night of the week, which is a beautiful thing. But there isn’t really that culture around 2D art, there isn’t exactly that culture around the Milwaukee Art Museum and other performance arts. They’re not quite as celebrated as musical art. We have a culture with bar venues and theater venues that make it easier to celebrate musical art, but we’re really excited to have a variety night with comedians and other performance art. There was a burlesque performance, we have an art gallery and we have a Maker’s Fair upstairs, so we’re trying to sort of spread out all the creativity.

Were you a part of the festival last year?

No, I just came to it. I came to it on Saturday, one year ago today, and I remember walking into this space and just being so impressed with all the performances and I guess just feeling like, “Duh. Of course we should celebrate this, these people are amazing!” And the fact that the ratio is still not even.

It’s a no-brainer that this festival needs to happen and people need to come and experience the talent that these female performers have. And then to be in a room with people that are genuinely interested in celebrating femme creativity and supporting Milwaukee organizations, because it’s all a fundraiser. Also actively working on not being sexist and being allies for that cause. It felt great, so as soon as it happened last year I was like, “Who do I talk to? How do I get involved in this?”

Britney Freeman-Farr, musician (B~Free, Foreign Goods)

I got involved with FemFest last year when I was a part of another show with one of FemFest’s organizers, Johanna Rose. We were in Prince Uncovered together and we just connected musically.  She said, “You and Cree Myles have to be a part of FemFest!” So we called Jay Anderson, and I wasn’t even in Foreign Goods at the time, but we were all friends because my husband is in the band. They backed us and the experience was so incredibly invigorating. Not only performing, but also watching all of these women command the stage and the audiences.

There was one group in particular, Mary Allen and the Perculators, and I was just blown away. I couldn’t believe that we have this much power! And then when I saw that the festival was coming back around and I was more developed with my own solo stuff at this time, I thought this would be the perfect opportunity to recreate the same magic that I experienced. I’m very happy to have the opportunity.

What does it mean for you to be a part of female focused gatherings?

It makes me feel like what I’m doing is purposeful. As we mentioned in the show this evening, ‘It’s really hard out here for a pimp.’ (laughs) It’s hard being a woman in this industry, let alone in this world. And to be able to be a thriving example of someone who not only has a craft but also makes a livelihood with it, that sets the tone for all the generations to come. I feel really good about letting the young ones know that no matter your background, or gender or creed, you can do whatever makes you happy. Forget everybody else’s standards that they place on you. I really feel like that’s the spirit behind FemFest. Celebrating that we’re not going to let you think of us as the lesser gender or anything, we’re equally as talented and important.

B~Free [Photo by Jessi Paetzke]

Gabriella Kartz, music organizer and performer (Faux Fiction)

It’s about supporting each other and celebrating people who add a lot to the Milwaukee scene in general through their various art forms. I think we’re really trying to make sure that we’re inclusive of all groups. People who are women or identify as women, we’re really trying to embrace all of that diversity. It’s what makes the fest a wonderful thing.

For me, last year was just a really positive experience. We got great feedback about our music and it was a really comfortable space to be able to express yourself. I think that’s what I really liked about it and why I wanted to be more involved this year.

Faux Fiction [Photo by Jessi Paetzke]

Kelsey Moses, comedian (Goodlanders)

This was the first time we’ve done anything outside of ComedySportz. , so it was a great opportunity to share what we do with people who might not come to ComedySportz.  How could you not enjoy a giant collaboration of beautiful, strong, powerful women being funny, being creative, being artistic, being musical? Women coming together to celebrate women, I love it.

Goodlanders [Photo by Jessi Paetzke]

Ashley Altadonna, filmmaker and musician (The Glacial Speed)

One of the great things about FemFest is that it is so inclusive. I know that they’ve had other transgender performers besides me at the festival and I think that’s great. I also had two films in the film showcase, plus all the workshops and community organizing they’re doing is fantastic. There’s just so much to see and do.

The Glacial Speed [Photo by Jessi Paetzke]

Jessi Paetzke, photographer

I attended last year because a friend invited me and it was really inspiring for me, so I wanted to get involved and photography is what I do. It’s really encouraging to see a bunch of diverse and talented women doing what they’re supposed to be doing and living out their passions. And also hearing about other people’s struggles, those of us who aren’t white men, what we face in society, how people might try to make us feel small or not welcome, and knowing that we’re not the only ones who feel that way.

Mary Joy, organizer and musician (Fox Face)

I didn’t have a strong female role model growing up and I had a lot of self-esteem issues. For me, music became that outlet of expression and that confidence builder. I’ve been playing in bands since I was 16 and that’s really where my female role models emerged. Music has been such an essential part of my identity and I realize that my story, my feminism, can relate and intersect with other people’s feminism. Our stories can come together and change a community. Our stories can help us find that self-esteem and whatever is missing in our lives.

It’s been a very empowering experience for me to have my own journey, but also to bring together other people’s journeys, wherever they’re at. And I hope they find something at FemFest, find something that they’re looking for, find a new relationship, find meaning somewhere.

Fox Face [Photo by Jessi Paetzke]

D Kirschling, volunteer (Ladies Rock)

This year the fest has really expanded and added all types of artists. I’ve known about women in the arts and music scenes for a long time and it’s great to see everybody getting together to spread the word and get to know each other and share. It’s a pretty awesome feeling. I’m hearing bands I’ve known and loved and I’m hearing new bands I haven’t been exposed to before.

Anskar Thorlac, performance artist (Maplewood Gardens – Chicago)

We’re really interested in intersectionality in our audiences. Our rituals are meant to be public and shared by large groups of people. It’s really exciting to find different communities and especially a femme identifying community, being femme identifying artists ourselves. It’s exciting to have an entry point into that community in a different city. It’s also sort of liberating doing a shared ritual for people you don’t know. Plus all of the femme organizers have been so generous and supportive and responsive.

Anskar Thorlac (Maplewood Gardens) [Photo by Jessi Paetzke]

Katie Lyne, musician (New Boyz Club, Ruth B8r Ginsburg, The Grasping at Straws)

It shows that if we have to put on a whole entire festival of female or female-fronted acts, there’s obviously something missing. We have to do this to put it at the forefront. It’s not a female-dominated scene, but it’s going to be one. The dynamic is changing. And it’s just such an awesome festival, having safe places for women like Company Brewing, places that include everyone and bring the power back to where it belongs.

I love hearing the poetry too. Hearing females tell their stories of sexual abuse or whatever it may be, especially friends of mine who I see everyday. Everyone has a struggle as a woman and to have that on stage alongside these awesome bands, it’s such a great place for women to collaborate and remember that we’re all in this together.

Rachel Clark, gallery team

FemFest is an opportunity to bring a lot of people together to talk about females and female-identifying folks. Like when we did the interviews for gallery artists, we had meetings at our houses just so people could meet and have conversations. So not only is the festival important to me because of what it stands for, but also it’s an opportunity for people to get to know each other and build community.

Groovy Dog Gallery [Photo by Jessi Paetzke]

Alexandre Maxine Hill, musician (LUXI)

FemFest means a lot to me. In the past it was harder for me to book shows as a female artist. I’m not sure people really took me seriously. So I think it’s really important that we have a place where we can have a voice and express ourselves in whatever way we want and just be the awesome women that we are.

Gabriela Riveros, gallery and Maker’s Fair artist

I think these kinds of fests are needed, especially for all the creatives that exist in Milwaukee. We need a space for other women creatives to come out of their own neighborhoods and communities and be a part of a larger project. I love the fest. There’s so much going on.

Jovan [Photo by Jessi Paetzke]

Casey O’Brien, festival-goer

I feel that women tend to have a somewhat secretive supportive role that isn’t always publicized. It sort of feels like the foundation that supports something else. And this festival puts a spotlight on people who don’t normally get a spotlight.

I think it’s easier for a woman or femme-identifying person to get up on this stage versus being on an everyday Milwaukee lineup, when too often girls are judged based on how they look or people say stuff like, “Oh she’s good for a girl.” Here no one is looking at the stage and saying, “Look they have a girl in that band!” It feels more comfortable.

Katie Lafond, musician (Siren)

I want female-focused gatherings to be unnecessary. We shouldn’t need to have an all-girl thing for people to start putting more girls on shows. I think it’s more important for the guys because it gives them something to look at and be like, “Oh, this has been in our city this whole time and I just never knew it.”

But it’s also good for younger girls to see there are women out there who are doing what they might want to do. So I think it’s good to educate men and to show kids there are better opportunities and that we’re able to do these things on stage. It’s kind of like a teaching moment where we’re saying, “You can do this too, you’re not alone.”

See more of Jessi Paetzke’s photos from Riverwest FemFest 2017 by clicking the links below.

Day 1 (Wednesday @ Art Bar)

Day 2 (Thursday @ Groovy Dog Gallery & Riverwest Public House Cooperative)

Day 3 (Friday @ Jazz Gallery Center for the Arts and Company Brewing)

Day 4 & 5 (Saturday & Sunday @ Company Brewing)

Devin Settle [Photo by Jessi Paetzke]

Wisconsin Sound #8

DEAD HORSES ON THE ROAD

At the end of September the Oshkosh-born/Milwaukee-based acoustic folk band Dead Horses released their new album Cartoon Moon. The beautiful and thoughtful 10-track project was recorded at Cartoon Moon Studios in Nashville with former Wilco and Uncle Tupelo drummer Ken Coomer. Last month they hit the road on a 10-state, 14-date tour in support of Mandolin Orange. I spoke with lead singer Sarah Vos during the band’s day off in Charleston, South Carolina.

Dead Horses
Dead Horses

VOS
We are going to go to the beach and see the ocean today. I haven’t seen the Atlantic for quite some time so I’m pretty excited.

WiG
How has the road been?

VOS
It’s awesome because we’re playing all these new cities and they’re pretty nice rooms, and really, really receptive crowds. So it’s been a blast.

WiG
How was it returning to Nashville where the new album was recorded?

VOS
There was a cool coming around with that it being almost exactly a year later. It was really fun. Our producer Ken Coomer came out to the show with his wife and his son and we got to hang out with him backstage. It felt very special. I’m a big fan of Nashville. It’s going to be a main stop for us for touring in the future. We’ve started to make friends down there.

WiG
It was a good show?

VOS
It was a great show, one of our best in Nashville. We’ve done the Americana Music Festival in Nashville, so that was pretty cool. We got to play at The Station Inn,  which is kind of a historic bluegrass venue.  To do that as part of the festival was really neat. You have all these dreams and goals, as soon as you reach one goal you kind of got your eye on the next one and you never quite make it to the horizon. But I always try to remind the guys in the band that we should be celebrating because we are very blessed.

WiG
I read that Cartoon Moon is the record that you really want people to hear. What sets it apart and what makes it so special for you?

VOS
I think it’s a patient record. It shows how we have matured through the years. I feel that it’s crafted a lot more, it’s more deliberate than other things we’ve done. That’s something that I want to continue to do as we keep making records. Because you know in the industry they talk about how bands don’t make as much money from records anymore.

But when I look at the way music has affected me and the reasons that I even wanted to be a musician, it was growing up and listening to records. To this day I’m always searching for new things to listen to and I love that. Recording it was one of the most fun things I’ve ever done. I love having this very focused project that was collaboration between the members of the band and the producer and the sound engineer.  

WiG
Have you been writing new songs while you’ve been on tour or performing any new material?

Dead Horses live at Anodyne Coffee. [PHOTO - DeWook Photography]
Dead Horses live at Anodyne Coffee. [PHOTO – DeWook Photography]
VOS
Usually when I write it’s pretty private, at least when I start the songs. But at the Nashville show I was very inspired by all the things that we’ve seen touring and the people we’ve met. Traveling right now across the country during such a crazy time in politics and things that are happening in the country, I’ve been telling the audiences at every show that I think regardless of where you stand, a lot of people feel pretty disheartened by the state of things. But we’ve been meeting such compassionate and wonderful people everywhere. So I’ve been trying to remind people at all the shows that it’s going to be ok. Don’t lose hope because things are going to work out.

But yeah, I always write a lot, I journal a lot, and a lot of times I just write down little snippets of things. Or even just word combinations that strike my fancy. As far as actual songs I’m not sure exactly how the new record that we’re beginning to dream up is going to go, but I just feel very confident that everything that we need is already there. I can’t wait to make another one.

Click here to listen to Dead Horses on WUWM.

B-FREE’S NEW ALBUM & POWERFUL PERFORMANCES

In the fall of 2004 I saw Jill Scott in concert at the Chicago Theatre. That performance remains the most emotionally resonant live music experience of my life. The songstress regaled us with poignant stories in between beautiful songs performed with a full band and mini orchestra. My friend and I were brought to tears and compelled to call our loved ones immediately after the show.

'Ode 2 a Luv Affair' artwork
‘Ode 2 a Luv Affair’ artwork

Listening to the latest record by Milwaukee R&B singer B~Free (Britney Farr-Freeman) reminds me of that autumn night in Chicago. Ode 2 A Luv Affair is B-Free’s second studio album. It takes listeners on a journey through the trials and tribulations of love. The recording process was challenging for a couple of reasons. Freeman, who also works as an educator, contracted a throat illness from one of her students that required surgery.

“It was difficult for me to allow myself to be as comfortable in that space as I once was. There were a lot of moments of rawness and vulnerability that I wasn’t quite ready to deal with. For example, when I was recording ‘The Vow’ I was pretty much crying the whole time,” Freeman tells me.

I first saw B~Free at Linneman’s Riverwest Inn last year when she shared a bill with Klassik, who was being backed by Foreign Goods. Freeman is now a member of Foreign Goods, which she credits with allowing her to be more comfortable collaborating and playing in front of larger audiences. Last week she was joined by her bandmates at Turner Hall to see Esperanza Spalding, an experience as affecting for her as the Jill Scott concert was for me in 2004.

B-Free [PHOTO - Mahdi Gransberry]
B-Free [PHOTO – Mahdi Gransberry]
“It was absolutely phenomenal,” says Freeman. “I was so inspired and moved emotionally and musically. It made me sincerely question my own existence. It was so deep without even trying to be. She conveys such a strong message about finding your own path and putting everything that you’ve been taught or forced to believe to the wayside. That’s always something that I’ve been aiming towards in my own life and artistry. I want to be able to wield that same power with whatever I put out into the world.”

The response to Ode 2 A Luv Affair has been positive, albeit a few detailed critiques on the album’s iTunes page. She is in the early stages of developing her next record, but before that she will go into the studio with Foreign Goods to record their first album this winter.

“It’s our goal to have it be a project that highlights everyone’s talents. There will definitely be some rap on there, some jazz, some harmonies, vocals, R&B, just a mixture of everything that we do. So we’re excited and we’re gearing up for the process,” says Freeman.

Tonight you can see B~Free with Foreign Goods for free at Club Garibaldi for a live broadcast of 91.7 WMSE’s Local/Live. Erin Wolf and Cal Roach will talk to B~Free and take audience questions in between a live performance. Doors open at 5:30 p.m. and the segment runs from 6 to 7 p.m. If you can’t make the show you can tune in at 91.7FM or go online wmse.org.

THE JAZZ ESTATE REOPENS BETTER THAN EVER

Unbeknownst to many Wisconsin music fans, Milwaukee has a storied jazz history. The scene has gone through its ups and downs and is currently experiencing a resurgence. One of those reasons was the temporary closing of the Jazz Estate.

Jazz Estate exterior
Jazz Estate exterior

The historic East Side haunt became the focal point of the Milwaukee jazz scene in the 2000s. When it closed its doors last year a few venues began hosting live jazz. After much anticipation and a few delays, the Estate officially reopens tonight.

In November 2015 the Jazz Estate was sold to John Dye, owner and operator of Bryant’s Cocktail Lounge since 2008. I spoke with Dye at his acclaimed South Side lounge while they were hosting a Jazz Estate cocktail preview.

“It’s always been one of the places in Milwaukee that I’ve been interested in, but they approached me,” says Dye of his new business venture.

“We’re going to do some really nice versions of classic cocktails from the ‘70s and ‘80s, ones that nobody really touches. They’re good drinks, but they’re just a little uninspired,” says Dye. You might say he’s done the same thing with the Estate.

Opened in 1977, the building fell into disrepair over the years. The Estate’s reopening was originally slated for July, but more renovations were required than anticipated. Given his dedication to preserving history, Dye took his time to do it right. Last week I attended the club’s soft opening and I’m happy to report he’s done just that.

Jazz Estate interior
Jazz Estate interior

As soon as I walked into the Estate there was a “new club smell.” It’s as if Dye’s team polished every inch of the club and then added a few of their own flourishes, like the tin ceiling in the front room and the house drum kit. The vintage looking lights and register give the bar a Bryant’s vibe. The seating and sightlines in the back area are improved as well. And the acoustics are excellent.

The Jazz Estate will feature live music on Thursdays and Saturdays from 8 p.m. to 11 p.m., with cover ranging from $5 to $12 in the first month. There is no cover for the grand opening Thursday night. DJs and pre-recorded old school soul and jazz will play the other nights at the Estate, which is better than ever.Click here for more information and to view their calendar.

SOUL LOW COVERS FEMMES, NEW RIO TURBO & UPCOMING DANCE PARTY

Soul Low at Cactus Club
Soul Low at Cactus Club

In my second feature for WiG I wrote about the young Milwaukee pop rockers of Soul Low. The success of their debut record (Uneasy) and acclaim for their latest effort (Nosebleeds) has put them in an exclusive category of Wisconsin music, alongside only a few other bands. One of those is The Violent Femmes. With lead singer Jake Balistreri’s quivering falsetto so similar to the Femme’s Gordon Gano, it was just a matter of time before the Soul Low boys paid homage to their Milwaukee music ancestors by covering “Blister in the Sun,” the Femmes’ biggest hit. I had heard the song was in Soul Low’s repertoire, but hadn’t experienced it live until last Friday night at Cactus Club. It was Night One of Gloss Records’ Halloween Spooktacular. Soul Low — half of whom were dressed as Power Rangers — closed their set with the rollicking, fine-tuned cover.

161027_vddp_posterPerforming right before Soul Low at Cactus Club  was Rio Turbo, Milwaukee’s premier trash pop dance party. Joey Turbo  dressed in neon orange hunter regalia — and his Turbette dancers debuted three new songs to kick off their set. “No He Can’t” is an instant hit, with a driving beat that my feet couldn’t deny. “Ballad” is a trippy, airy track that made me think of The Flaming Lips, with Turbo sounding a bit like Wayne Coyne. Rio Turbo also debuted their sick new neon sign, which sat on the table in front of DJ SPACE BAR, the latest edition to the Turbo lineup.

Also on Friday I announced the Beyonce + Jay Z vs. Rihanna + Drake dance party at Company Brewing on Saturday, November 26. I’m producing this event with my girlfriend and visual artist Kristina Rolander, which Rio Turbo will be making a special appearance at. The event also includes an all-star lineup of DJs (Bizzon, Annalog, Optimist, Turtle Sooup), host Lex Allen, cocktail specials and an original photo backdrop by Kristina.  Click here for more information and to RSVP.

NEW MUSIC FROM WEBSTERX, BO TRIPLEX & HIS BEAUTIFUL BAND, AUTOMATIC

Artwork by Janice Vogt
Artwork by Janice Vogt

Experimental hip-hop artist WebsterX has released his first song of the year, “Blue Streak.” Since putting out his debut project Desperate Youth in 2013, the most high profile member of the New Age Narcissism collective released some major “loosies” (singles not attached to a larger project) with 2014’s “doomsday (feat. siren),” 2015’s “Lately” and “Kinfolk (feat. Allan Kingdom).” Not to mention, last fall’s excellent 3-track, Radiohead-inspired collaboration with Q the Sun entitled KidX.

Thankfully for fans, the Four Giants produced “Blue Streak” does not continue the “loosie” trend. It is the first single from what will be WebsterX’s debut studio album. Upon the song’s release WebsterX also announced that he agreed to a distribution deal with Chicago-based label Closed Sessions. The outfit was responsible for helping the early career development of Chicago rappers like Vic Mensa and Chance the Rapper. WebsterX will maintain 100% ownership of his masters and will benefit from the label’s influence and reach. Click here to listen to “Blue Streak.”

"Hold Me Down" artwork by Jessica Yimenez
“Hold Me Down” artwork by Jessica Yimenez

Milwaukee bassist, New Age Narcissism member and music scene all-star Bo Triplex released a new single as part of the Nightmare on Center Street II playlist. “Hold Me Down” is from Bo Triplex and His Beautiful Band’s forthcoming EP deux, which has an early February release date. Bo says of the track, “‘Hold Me Down’ is a clash of worlds. Bo has been captured by those he came to defeat and though they taunt him so he refuses to give up. For he knows y’all are holding him down. Special thanks to Beathouse Music Inc. and Yessica Jimenez for the art.” Click here to listen to “Hold Me Down.”

“For the 3rd single from their upcoming full length, Marathon (11.11.16), smooth hip-hop group AUTOMatic brings the classic early 90’s R&B vibes with their certified slow jam, “You Don’t Love Me.” Emcee APRIME explores what it’s like to be caught in the trap of a love/hate relationship – something all of us have been in at least once in our life. Producer Trellmatic’s production is top notch and he adds updated drums to the retro groove. This one is for everybody that grew up with the Quiet Storm radio show playing in the background, late at night.” Click here to listen to “You Don’t Love Me.”

NEW VIDEOS FROM ISHDARR, HOT COFFIN, THE RECORD COMPANY, NO NO YEAH OKAY

Last WiG issue’s featured artist IshDARR released the first video (“Locals” directed by Damien Blue) from his latest project Broken Hearts & Bankrolls, which has received over 4 million streams in its first 3 weeks. Metal band Hot Coffin spent a late night making a freaky video in The Oriental Theatre for their song “Whistle, Hawk & Spit,” which was directed and edited by Jed Schlegelmilch. Burlington-native Chris Vos’ wildly successful LA-based blues rock band The Record Company released a lighthearted, hula hoop-centric video for their hit “Rita Mae Young.” Also, local chill wave rockers No No Yeah Okay put out an eerie Ryan Bilinski directed video for “Great Scott” from their debut EP Dual.