A fatal, off-screen car crash interrupts the picturesque, suburban lives of a young married couple in David Lowery’s A Ghost Story, marooning the deceased husband musician (Casey Affleck) in a kind of purgatory as a watchful, mostly benign ghost.
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The theater director who endured death threats and lost corporate sponsors after staging a Donald Trump-inspired version of Julius Caesar has a message to any artist fearful of facing similar backlash — don’t flinch.
Natasha, Pierre & the Great Comet of 1812, a sung-through musical that dramatizes a melodrama at the center of Tolstoy’s War and Peace, earned 12 Tony Award nominations.
In James Gunn’s sequel to his swashbuckling space Western, the Guardians of the Galaxy do their version of The Empire Strikes Back, complete with daddy issues but with a considerably more anarchic spirit and enough acerbic interplay among its interstellar gang to make Obi-Wan blush.