Well, the day has come. President Trump. Brace yourself. Deep breaths.
They say the pendulum tends to swing in American politics, but I can’t imagine a bigger swing than this. From a charismatic community organizer who appeals to the best of our nature, to an obnoxious businessman who appeals to the worst of our nature.
Milwaukee hip-hop artist Vincent VanGREAT — fresh off a performance at Milwaukee Record’s Local Coverage — felt there was no better time than today to release his new video for “Radical (Prod. VVG x Q the Sun).” The frenetic track is accompanied by clips of police brutality and shots of VanGREAT on snowy Milwaukee streets letting his, um, middle fingers do the talking.
Trump supporters like to allege that police brutality and race relations have gotten worse under Obama’s watch and that he’s somehow responsible. This is nonsense. Police brutality was undoubtedly worse under previous administrations.
What changed during the Obama years is that now almost everyone has a video camera in their pocket, making it easier to document and expose police brutality. An increase in racial tension is simply a response to this increased visibility and awareness of police brutality.
It is important to note that when we say “Fuck the law,” we are not advocating anarchy, but expressing anger towards an unjust system that disproportionately harasses, arrests and imprisons people of color and marginalized communities. We want an end to police brutality, not an end to police. Ultimately, like VanGREAT says in the video’s preamble, we want more “love, peace and light.”
“Radical” is the second visual from VanGREAT’s excellent self-produced 2016 album UnGREATful, which you can buy on iTunes. The video was shot by JSwaqq.
“This record/visual is not to promote violence nor hate towards law enforcement or government of any kind. It is simply to raise awareness of current situations that are affecting many people around the world. With all the darkness and evil that we are forced to live with these days we must ALL remember to spread love, peace and light no matter what race, age or gender we are. God is love!” – Vincent VanGREAT
(It’s also important to note that when we say “Fuck Trump,” we mean FUCK TRUMP!)
A few years back Milwaukee’s arts and culture scene lost an important voice with the demise of the local branch of The Onion A.V. Club. Thankfully, city editor Matt Wild went on to team up with freelance writer Tyler Maas and launched the website Milwaukee Record in April 2014, offering a unique brand of “music, culture, and gentle sarcasm.”
Since its inception, Milwaukee Record has produced a signature benefit event called Local Coverage. The idea is simple: local bands and rappers cover each other’s material. Proceeds from the event are donated to worthy local organizations like Girls Rock Milwaukee and COA Youth & Family Centers.
On the surface the event might seem a bit like “inside baseball” — something only the musicians and critics such as myself might enjoy. However, after attending Local Coverage 2017 at Turner Hall Ballroom last Friday, I learned that the event has a surprisingly broad appeal.
The fact is that good musicians are good musicians, no matter what material they are performing. Not to mention, as someone who covers local music, it’s always refreshing to see an act perform new material rather than run through their usual set. In addition, the event brings together a diverse cross-section of the Milwaukee music scene, exposing the musicians both to each other and to a wider audience. The musical pairings are chosen at a draft a few months before the event.
Like David Ravel’s Uncovered series — which I featured in the last issue of WiG and the next installment, Tribe UNCOVERED, takes place tomorrow at Turner Hall — Local Coverage is a one night only event. As such, my girlfriend and I made sure to arrive promptly. Kicking things off was Americana band Devil Met Contention covering hip-hop artist Vincent VanGREAT, which they previewed on an episode of 88Nine Radio Milwaukee’s 414 Live.
Vincent VanGREAT followed with his rendition of Abby Jeanne’s soulful rock music, with help from his band Ninja Sauce and SistaStrings. VanGREAT teased his singing skills on the excellent 2016 album UnGREATful, but VanGREAT’s performance at Local Coverage put even more of a spotlight on this additional talent. The emcee/singer brought out Abby Jeanne — who was leaving the next morning for India — to join him on a song, a move that he assured the crowd was pre-approved.
Some acts — like Devil Met Contention and Abby Jeanne — presented their covers through the lens of their own musical sensibility. Others — like Midwest Death Rattle — did more true-to-form covers. The art rockers did an incredible job rapping along to D’Amato’s sexy and thought provoking lyrics.
“I’ve wanted to rap since the first time I saw 2 Live Crew,” exclaimed John Dykstra of Midwest Death Rattle after catching his breath. The band’s earnest rendition of D’Amato’s funky rap songs was a highlight of the night. Even their drummer couldn’t help but dance as they played the final song.
From the looks of her, you wouldn’t expect gentle folk singer Marielle Allschwang to absolutely own the rap stylings of Lorde Fredd33. But after learning about Allschwang’s penchant for hip-hop and R&B, along with the dark, hypnotic tone in each of their music, this was far and away our most anticipated performance of the night.
After a few sets I ran into Nathaniel Heuer — who plays bass in Allschwang’s band as well as another project, Hello Death — and I mentioned that most of the musicians seemed to be taking the challenge quite seriously.
“Oh yeah, we take this very seriously. We’ve rehearsed a bunch. At this point we know it as well as we know our own material,” replied Heuer.
Allschwang’s set was nothing short of a revelation. Her confident, controlled delivery of each and every one of Fredd33’s obscure lines of poetry was glorious in and of itself, but her band also created a mesmerizing soundscape that bounced between doom folk and alt hip-hop. Her set contained a political subtext as well, with Allschwang wearing a solidarity with Standing Rock t-shirt and closing with “MWME,” which contains the chorus, “Trynna turn the Midwest to the Middle East.”
With all of our hype centered on Allschwang’s set, I hadn’t thought about who would be covering her fantastic songbook. That task went to power-pop garage rockers Midnight Reruns, who delivered the best surprise of the night. Allschwang’s folk soul spoke directly through their jangly, crackling guitars. Every time I see the Reruns I love them more and more.
Another takeaway from the night included Jay Anderson creating synth sounds with his tiny saxophone via an effect pedal during Lorde Fredd33’s loose covers of Midwest Death Rattle. I also learned that while I’m not a fan of country music, I can get into country songs performed by a punk band. At least when that band is (two of the three members of) The Pukes covering the music of Buffalo Gospel.
D’Amato closed the show as only D’Amato knows how — with bravado and style, turning The Pukes snappy, punk tunes into his own sensual brand of get down. Between ticket sales, raffles and an exclusive beer made by Company Brewing, Local Coverage 2017 raised over $3,000 and counting, as the delicious sweet and spicy porter is still available at some local establishments. The audio from Local Coverage 2017 will be online later this year, but until then you can listen to and purchase recordings from past Local Coverage events here.
Returning for its 8th installment, the Milwaukee Film Festival is simply one of Wisconsin’s finest cultural institutions. This year 282 films will be screened between September 22 and October 6, plus a number of panels, speakers, guest appearances, post-film conversations, education screenings, and happy hours. In the spirit of this column I’ve compiled a guide for the best of the festival’s music-related films.
I must admit that my adoration for the Film Fest is colored by the fact that I met my girlfriend on the red carpet walking out of the Opening Night party two years ago. As such, the Opening Night party is a can’t miss event. This year Milwaukee’s premier music collective—New Age Narcissism (NAN)—will perform at the party on September 22 in the Kenilworth Building.
The next night—September 23—you can catch three videos from NAN members at the Milwaukee Music Video Show (9:45 p.m., Oriental). There will be 16 entries in total, from the likes of Canopies, Busdriver, Group of the Altos, WC Tank, Devil Met Contention, Fox Face, Rio Turbo, and more, plus a video premier from Maritime.
The centerpiece of the fest’s music movies is the much beloved Sound Vision program, which features eight films his year. They include subjects such as the blues (I Am The Blues), a legendary writer and producer (Bang! The Bert Berns Story), a soul singer’s triumph over cancer (Miss Sharon Jones!), a viral sensation (Presenting Princess Shaw), PBS’ long-running concert program (A Song For You: The Austin City Limits Story), an Afghan girl rapper (Sonita), a notorious Madison alternative recording house (The Smart Studios Story), plus the dance party tradition that is Jonathan Demme’s seminal Talking Heads concert film Stop Making Sense.
Speaking of film fest traditions, the Alloy Orchestra will accompany the classic 1927 sci-fi silent film Metropolis. Alloy Orchestra’s performance will be inspired by the Milwaukee Art Museum’s upcoming “Haunted Screens” exhibit.
Two Trains Runnin’is not the first documentary about the summer of 1964 to play at the Film Fest. Rather than focus on the Freedom Riders who bused into the segregated south to register voters, Two Trains Runnin’ tells the story of a group of young blues fans who also head into unfriendly territory in search of mysterious blues musicians, with hopes of bringing their music out of obscurity.
An aspiring classical musician blows his audition for the Sao Paulo Orchestra and finds his calling teaching the youth of Brazil’s largest favela in The Violin Teacher. This film is part of one of the fest’s newest programs, Cine Sin Fronteras, which showcases the rich and vibrant Latinx diaspora.
Christopher Darling is a Milwaukee-made dark comedy tracking the escapades of a self-destructive leader of a modestly popular rock band. Local actor John Glowacki takes on one of his most interesting roles in Scott Cary and Martin Kaszubowski’s feature debut.
Afghanistan’s first rock band are scheduled to play with Metallica on a San Francisco-based Iranian radio station inRadio Dreams. Things don’t go as planned in this droll comedy as the staff waits for a jam session that may never happen.
Carmin Tropicalis an edge-of-your-seat murder mystery noir centering on a Mexican transgender nightclub singer investigating her best friend’s death.
Closing Night film, Morris from America, centers on an American boy living with his dad in Germany who relies on his love of hip-hop to cope with his outsider status.
Apart from the music-minded films, there are many excellent features and shorts to see. For theater locations and showtimes pick up a Film Fest program or visit their website. The box office is now open and located inside the Oriental Theatre.
Think of the MKE Film Fest as the first part of a double feature, considering the (31st) Milwaukee LGBT Film Fest follows right after from October 12 to the 23. In the next issue of WiG I’ll have a guide for its music-related films and events.
And though it’s not officially part of the Film Fest, members of the Ruby Yacht label will be performing in the Moon Room at nearby Landmark Lanes on September 22.
SUPPER CLUB JAZZ AT COMPANY BREWING
During my first visit to our nation’s capital my friend took me to the Bohemian Caverns, a renowned jazz club. We arrived in time for the late set by a trio from Paris. The plates had long been cleared, but the (now-closed) Bohemian Caverns featured dinner as part of their entertainment experience.
Company Brewing in Milwaukee has brought this time-honored tradition to the Riverwest neighborhood. Their Supper Club Jazz series features a free performance and an exclusive menu on Wednesday nights. They also have special editions of Supper Club Jazz every so often on the weekend.
While jazz has been relegated to background music in hotel lobbies and restaurants around the country, Company’s series is reminiscent of jazz’s heyday. The performance is the main attraction, along with an artful meal prepared by head Chef Rosy Rodriguez.
“We wanted to have live jazz be a part of what we do at Company Brewing, but we wanted to do it the right way,” owner George Bregar tells me.
“We reached out to Jamie Breiwick to pick his brain. He was very helpful in that he knows the jazz scene really well and knows what it needs. Then we brought in Jay Anderson for some extra positive energy. Personally, I like it so much that we schedule our brew nights around it,” adds Bregar.
The first Supper Club Jazz special edition took place in April. It was a tribute to Miles Davis featuring the illustrious Russ Johnson on trumpet, easily one of my favorite concerts of the year.
“The Miles Davis show was the archetype of what the series can be,” says Bregar. “We had a full dining room of people eating, but there was also this jazz show happening that definitely delivered.”
The second special edition performance took place on September 10. It was a tribute to saxophonist Ornette Coleman, an innovator of the free jazz movement of the 1960s. Lenard Simpson played saxophone along with Jamie Breiwick on trumpet, Tim Ibsen on bass, and Devin Drobka on drums.
For the Ornette Coleman show my girlfriend and I made dinner reservations. The entree for the Supper Club menu was lake trout. Since we had gone to Seven Seas on Nagawicka Lake for fish fry the night before, we ordered off Company’s standard dinner menu. The roasted pork shoulder with Puerto Rican rice and plantains was incredible.
Our delicious meal was matched with a fantastic live performance. As the band took the stage host Jay Anderson brought a painting of Coleman and hung it onstage. The painting was done by an Iowa artist named Wayne Deutsch and brought by Kevin Lynch, former jazz writer for the Journal Sentinel. The band, dubbed The Century Quartet, performed Coleman tunes including “Dee Dee,” “The Blessing,” “Broadway Blues,” and an original arrangement by Breiwick dedicated to trumpeter Don Cherry.
This Friday—September 23—will be the third Supper Club Jazz special edition. Though it is being presented on the day of John Coltrane’s birth, rather than pay tribute to the jazz icon, 88Nine’s Tarik Moody (producer of the Unlooped series) presents “Jazzmatazz 414 – Hip Hop to Bebop,” a tribute to hip-hop classics performed by Milwaukee jazz musicians.
Other upcoming Supper Club Jazz performances at Company Brewing will feature MRS. FUN, Rick Aaron, Caroline Davis (NYC), Eric Jacobson, Neil Davis, Stomata, and Mitch Shiner. Special editions will be led by Cecilio Negron Jr., Reel Feels (NYC), and Andrew Neesly. Plus, Jamie Breiwick’s Lesser Lakes Trio will do two live recordings, the first of which is tonight—September 21.
AM/FM POP-UP NIGHT AT FORMER HOTEL FOSTER SPACE
Two issues back I wrote about the closing of the Hotel Foster (or “HoFo” as it is lovingly referred to). For five years HoFo was one of the best bars and occasional music venues on Milwaukee’s East Side. It hosted many unforgettable performances, especially during the 2014 Milwaukee Film Festival.
John Revord, owner of Boone & Crockett and one of the original owners of HoFo, will reopen 2o28 East North Avenue for one night on September 24. It turns out HoFo’s liquor license doesn’t expire until the end of the month. Revord reached out to his old business partner Doug Williams and they came to an agreement that will bring one night of live music, specialty cocktails, tap beers, DJs, and projected art to the space.
The night is being called “AM/FM.” When I first saw the event I was suspicious about its resemblance to the online magazine “amfm” produced by Milwaukee-native Ciera McKissick, to which I have contributed. I wondered if it might be one of McKissick’s events. When McKissick stumbled upon a Milwaukee Record article about the event she actually thought they were writing about her project.
Initially McKissick was perturbed and started a Facebook conversation about it on a friend’s wall. As the feed grew Revord became aware of it and reached out to McKissick. Revord says he felt bad and was unaware of McKissick’s project, which has been based in Chicago for about two years. They talked and decided to work together.
“The event aligns with the things I do, so it was no question to collaborate,” McKissick wrote me in an email. “It actually turned into a dope opportunity. And I have been saying for quite some time that I wanted to do an event back home since it had been so long. I think this was the universe’s way of making that a reality.”
The bar is currently empty, stripped of the decor that defined the Hotel Foster. McKissick will be curating a pop-up art gallery in the downstairs space, with a live painting element on large canvas upstairs. She has reached out to some of her former Milwaukee artist friends including Mikal Floyd-Pruitt, CK Ledesma, and the From Here to Her collective.
The music lineup for the event includes DJs Asher Gray, Why-B, and Slim Brit, with performances by Whips, Rusty Pelicans, and a secret band. Video Villains will project visuals. Revord and Chef Mitch Ciohon’s Gypsy Taco truck will become Weezy Burger for the night and will be parked out front. All told, it will be another eclectic and electric night at 2028 East North Avenue.
FREESPACE RETURNS FOR A SECOND YEAR
All-ages venues are a key component to a healthy music scene. While Milwaukee’s music scene is the most vibrant it has been in decades, a dearth of all-ages venues limits its potential. Much of this is due to our antiquated, restrictive liquor laws, which could be changed. (Wink, wink. Nudge, nudge.)
Last year saw the demise of three important all-ages DIY spaces: the Cocoon Room, Lucky Cat and Borg Ward. However, 2015 also saw the rise of FREESPACE, a monthly (mostly) hip-hop showcase and interview series featuring up-and-coming youth musicians and established artists. It was recently featured on FOX6 and WUWM’s Lake Effect.
FREESPACE is the brainchild of high school English teacher Vincent Gaa and hip-hop artist WebsterX (Sam Ahmed). It provides an opportunity for youth to learn from and interact with professional musicians, as well as their peers. In its first year FREESPACE brought in renowned artists like IshDARR, Wave Chappelle, and Lili K., plus youth artists like Vital E$$ence, Riqo, and LeanBeatz.
The FREESPACE team also includes KaneTheRapper (Darius Briggs) and artist Janice Vogt. I emailed Vogt about what stood out for her from the first year of FREESPACE and what she is looking forward to in year two.
“What amazes me the most about FREESPACE is the community. We’re all a huge team – Kane has referred to it as family, which I like – and we support each other, appreciate each other and hold one another accountable. I never thought FREESPACE would become so tight knit. It’s a blessing!”
“We are looking forward to pushing more limits and breaking more barriers! There is so much to tackle. At the same time, we’ve been taking opportunities and learning lessons as they come, so while we have visions for the coming months, I think we will leave more than enough room for surprises,” wrote Vogt.
FREESPACE returns tonight—September 21—with Von Alexander, Ar Wesley, and Wayward. The event begins at 5:30 p.m. inside the Jazz Gallery Center for the Arts in Milwaukee’s Riverwest neighborhood.
VINCENT VANGREAT APPEARS AT GOLDA MEIR SCHOOL AND ERIC ANDRE LIVE!
Back in April the second annual Arte Para Todos festival took over four Milwaukee neighborhoods over a four-day weekend, bringing almost 100 music acts and artists to 24 venues. The festival began in 2015 as a way to raise awareness and resources for struggling art and music programs in Milwaukee schools.
As one of the organizers of Arte Para Todos 2016 my primary responsibility was coordinating our in-school performance series—six concerts and Q&As with local musicians just for students. We originally had an in-school lined up at Golda Meir but it fell through. Administration asked if we could reschedule for the beginning of this school year. Assistant Principal Deb Causey even put in an artist request—her former 6th grade math student Vincent Wallace-Haygood, better known as hip-hop producer/rapper Vincent VanGREAT.
In my first feature for WiG I wrote about Queen Tut and six of the best Wisconsin hip-hop releases of 2016 so far. VanGREAT’s long-awaited album UnGREATful sits squarely among the six. The SAFS Crew member’s joyful spirit and hunger for success can be heard throughout the 15-track project, which includes well-crafted live instrumentation. For his performance at Golda Meir on September 16 VanGREAT brought his drummer and keyboard player.
Before he addressed the middle and high school students VanGREAT was greeted by his former teacher backstage. It was beautiful to see a teacher embrace her former student and hear VanGREAT share his journey with the students at Golda. They responded with tons of enthusiasm. One aspiring rapper was even invited onstage to freestyle.
“That was awesome. The kids had a lot of energy. Honestly, we never had musicians come to our school and perform for us. I’m very grateful that they had me here and this auditorium is beautiful,” said VanGREAT after the performance.
A few days before the Golda Meir in-school performance VanGREAT was invited to appear on Eric Andre Live! Originally tapped to be a guest on the Milwaukee stop of Adult Swim’s wildly subversive and hilarious anti-talk show The Eric Andre Show, VanGREAT had a scheduling conflict and was instead added to their show in Pontiac, Michigan.
“I had a ten minute segment up there with him. He was asking all types of crazy ass questions and doing a bunch of crazy stuff. Then he started crowd surfing and I just used that time to steal the show and get the crowd turned up. It was an epic experience,” said VanGREAT.
VanGREAT will perform at Cactus Club on September 29 as part of their hip-hop showcase series “MKE Live,” and again at Cactus Club on November 11 in support of AUTOMatic’s album release show.
NEW MUSIC FROM LEX ALLEN, AUTOMATIC, AND SYLVAN ESSO
WiG favorite Lex Allen released a new song entitled “Keep It Movin” last week. The track is produced by Q the Sun and engineered by Daniel Holter from Wire & Vice. It has more of a deep, dance club feel than previous soul-pop offerings from Allen. The song was written as Allen was coming out of the depression he fell into following his mother’s passing. Allen says about the song, “The message is to tell people to push through any situation and see the brighter things to come, while shaking their ass happily.” Listen to it here.
Milwaukee hip-hop duo AUTOMatic recently announced they will be putting out their first full-length album in four years. Marathon will be out November 11, with a release show at Cactus Club featuring Vincent VanGREAT, El Shareef, and DJ Optimist. The first single, “Talkin Bout Love,” is out now. The track “identifies the need for more love in this world and takes time to express love for people of all walks of life.” Listen to it here.
Okay, electro-pop luminaries Sylvan Esso are not technically a Wisconsin band. The duo is based in North Carolina. However, producer Nick Sanborn is a Middleton-native who cut his teeth in beloved Milwaukee band Decibully. Not to mention, Sanborn first met singer Amelia Meath when they were sharing a bill at Cactus Club. For those reasons we will continue to hold Sylvan Esso as one of our own. Their incredible debut album remains one of the best records of the last decade. During their live performances last summer they introduced a badass new song entitled “Radio.” A year later a recorded version is out and it is fan-fucking-tastic. Listen below.
NEW VIDEOS FROM RUSTY PELICANS, DAD, AND LORN
September 15 saw the release of two Milwaukee hip-hop music videos. One is for the song “We Like” from local hip-hop legends the Rusty Pelicans, off their recently released album Apartment 7, which is another one of the six best Wisconsin hip-hop projects of the year so far. The video is directed by Kelly Anderson.
The other hip-hop video released on September 15 is the first visual offering from one of Milwaukee’s most intriguing new characters, Dad. The lovable father figure crashes a Civil War reenacted for his Mammyth produced track “17th Century.” The video is directed by Dad and edited by Cellar Dweller.
Underground electronic mastermind Lorn—who relocated from Milwaukee to the woods somewhere outside Eau Claire a few years ago—released a new video for his song “Anvil,” off his 2015 album Vessel. The animated video is set in the year 2100 and fuses Japanese and Belgian comic influences, providing haunting visuals for Lorn’s visceral sound.
The video is directed by Hélène Jeudy and Antoine Caëcke (aka Geriko), with design and animation by Antoine Caëcke and Hélène Jeudy, plus character animation by Anthony Lejeune and Manddy Wyckens.
BON IVER PERFORMS ON THE TONIGHT SHOW
The pride of Eau Claire, Bon Iver, appeared on The Tonight Show with Jimmy Fallon on September 14 to perform the song “8 (Circle).” Watch the performance here. The song is off Bon Iver’s forthcoming third album 22, A Million, which was debuted in its entirety last month at the Eaux Claires Music and Arts Festival.
WiG RECOMMENDED EVENTS — [click hyperlinks for more info]
SEPT 21: Freespace (all ages) with Von Alexander, Ar Wesley, and Wayward at Jazz Gallery Center of the Arts.
SEPT 21: Supper Club Jazz at Company Brewing with Lesser Lakes Trio (live recording).
SEPT 21: NO/NO + Fire Retarded + The Rashida Joneses at Bremen Cafe.
SEPT 22: Milwaukee Film Festival Opening Night party featuring New Age Narcissism and Rio Turbo at the Kenilworth Building.
SEPT 22: Ruby Yacht label night featuring Scallops Hotel, Antilia Raid and s.al in the Moon Room at Landmark Lanes.
SEPT 23: Jazzmatazz 414 – Hip Hop to Bebop featuring Klassik, Mike Regal, Ar Wesley, Olen Franklin, Afton Johnson, Quinten Farr, B-Free, and Jay Anderson at Company Brewing.
SEPT 24: AM/FM pop-up night at former Hotel Foster site with amfm Magazine, Video Villains, Whips, Rusty Pelicans, a secret band, plus DJs Asher Gray, Why-B, Slim Brit.
SEPT 24: WebsterX’s Golden Gala birthday bash at secret all-ages location.
SEPT 24: Tacocat w/ Dude York + The Pukesat Cactus Club.
SEPT 25: CHVRCHESat The Riverside Theater.
SEPT 25: Count Bass D // Q the Sun // Jay Anderson at Bremen Cafe.
SEPT 29: MKE Live ft. Mike Regal, Vincent VanGREAT, 3rd Dimension, Camb Music, Cleo Fox II, Sam Rothstein, DJ Markus X.
SEPT 30: Sat. Nite Duets record release at Villa Terrace with Negative/Positive.
SEPT 30: New Boyz Club EP release at Company Brewing with Hello Death, Fox Face, and Sista Strings. (More on New Boyz Club in my upcoming feature in this issue of WiG.)
SEPT 30: Bremenhain: DEEP DARK DANCE at Bremen Cafe.
OCT 1: B-Free album release at Company Brewing with Abby Jeanne, D’Amato, Kyndal J., Klassik, and DJ Moses.