It’s a name you might not have known a few weeks ago, but one that’s now almost inescapable thanks to Making a Murderer, Netflix’s answer to viral true crime sensations such as the podcast Serial and the HBO series The Jinx. Released in full on Dec. 18, the 10-episode documentary, rated “binge-worthy” by Time magazine, has captivated streaming audiences everywhere and is perhaps one of the most-watched original series released by the streaming service in an already-strong year.
Perhaps nowhere is the show more polarizing than here in Wisconsin. Avery, who’s from Manitowoc County, served 18 years in prison beginning in 1985 after being convicted of sexually assaulting a Manitowoc woman. He was ultimately exonerated of the charge, thanks to the efforts of the Wisconsin Innocence Project and DNA testing, and released in 2003. But a few years later, Avery was arrested again and charged with the death of photographer Teresa Halbach — a crime for which he’s currently serving a life sentence. Making a Murderer suggests the sheriff’s department and prosecutors mishandled the case at best and, at worst, could have framed him for it.
The response to that suggestion has been varied and often visceral. Two separate Internet petitions calling for the pardoning of Avery (and his nephew, Brendan Dassey, who was also convicted for the crime) have already amassed at least 160,000 signatures. A petition directed at the White House has the 100,000 signatures necessary to require President Obama to respond. Prosecutors maligned by the documentary have come out harshly against it, with Manitowoc County Sheriff Robert Hermann telling Appleton’s The Post-Crescent that the series skews evidence, takes it out of context, and should be considered a “movie” rather than a documentary.
Make up your own mind. Netflix and its competitors both in streaming and traditional TV may be flooding the market with a glut of quality fictional programing, but even with its veracity challenged by those it condemns, Making a Murderer stands out as a vibrant examination of real life, raising real questions about the inner workings of our criminal justice system.
Some of the other top offerings from streaming services to watch for this winter are:
Making a Murderer is going to dominate the conversation about Netflix for the next few months, but by March 4 the streaming service is poised to shift into campaign mode. That’s when its first success story House of Cards returns, with now-President Frank Underwood (Kevin Spacey) embarking on a re-election campaign that’s sure to be as cutthroat as his original path to the White House.
This winter will also see the long-delayed arrival of the final season of Parks and Recreation on Jan. 13 (although it’s been on Hulu since airing), Chelsea Handler’s four-part documentary series Chelsea Does on Jan. 23, and Crouching Tiger, Hidden Dragon: Sword of Destiny, the delayed sequel to the 2000 martial arts film, on Feb. 26.
Netflix’s reboot of Full House also shows up on Feb. 26, but the more we hear about Fuller House, the more we want to tell everyone involved to “Cut It Out.”
The final months of 2015 were big ones for Amazon’s original programming. Transparent, the company’s first breakout success, turned in another exemplary set of 10 episodes in December, taking the story of transgender family matriarch Maura (Jeffrey Tambor) and her family in fascinating new directions that explored the family’s past tragedies and attempts to heal themselves in the present. Amazon Prime got another boost from The Man in the High Castle. Based on Philip K. Dick’s alternate historical novel of the same name, it explores what happens when Germany and Japan occupy and divide the United States after winning World War II. The series’ pilot was the most-watched in the history of Amazon Prime’s original programming when it premiered last January, and the full 10 episodes subsequently became the company’s most-streamed original series.
The second season of the classical-musicians-behaving-badly dramedy Mozart in the Jungle dropped on Dec. 30 and continues into 2016. Come for the resoundingly attractive Gael García Bernal, stay for national treasure Bernadette Peters.
Hulu’s value still resides primarily in the content it gets from other providers — with next-day streaming available for most network TV shows and an increasingly large library of Hollywood’s most popular films.
But this winter marks the premiere of one of the service’s few original programs to date: 11.22.63. Based on a Stephen King novel, the nine-hour limited series follows a schoolteacher (played by James Franco) who travels back in time to prevent the assassination of JFK but finds his mission more complicated than he expected. The J.J. Abrams-produced series will start airing weekly episodes on (when else?) Presidents’ Day, Feb. 15.
If you’re a parent with an HBO subscription, this is the month you get to brag to all the other parents at daycare about how your munchkins have already seen the latest episodes of Sesame Street, premiering on the cable station and its streaming component HBO GO on Jan. 16 (don’t worry, the episodes will still air on PBS after a nine-month exclusivity window). After the kids go to bed, you can tag team episodes of Last Week Tonight with John Oliver and new ’70s music industry drama Vinyl starting Feb. 14, or wait a week to start half-hour comedies Girls and Togetherness Feb. 21.
See also: Netflix documentary stirs national debate over prosecutorial misconduct in famed Wisconsin murder case