Greg Walloch is a hilarious guy. A first-rate storyteller with a sharp sense of humor, Walloch is an author whose work appears in a variety of publications and anthologies. But he’s probably best known for his performances as a monologist and comedian.
This November, the Milwaukee Theatre will transform into the African savannah, as The Lion King’s national tour rolls into town for four weeks. The lavish production, originally directed by Julie Taymor and featuring music by Elton John and Tim Rice, has gifted singers, actors and dancers, plus impressive set and costuming elements.
The curiosity surrounding a world premiere is often enough to pack the house, especially when it’s the Milwaukee Rep’s first one in years. The Stiemke Studio production of after all the terrible things I do was no exception.
Bill Cosby remembers fondly a show he performed at Madison’s Overture Center for the Arts several years ago — especially the couple who arrived late.
Dr. Maurice Temerlin didn’t think he was doing anything wrong when he brought his adopted daughter Lucy home from Africa in the 1960s. He and his wife simply hoped to raise her like any other child, alongside their young son. And so they did, spending the next decade teaching her manners, helping her learn to speak and watching her flip through magazines and care for her cat.
But there’s underlying drama in this domestic tale: Lucy was a chimpanzee, never meant to sleep on a king-size bed — and not always the better for doing it.
Halloween is the time for ghost stories, and the Florentine Opera has one ready to go a week early: Wagner’s epic The Flying Dutchman, playing at the Marcus Center’s Uihlein Hall on Oct. 24 and Oct. 26.
Faith is a hard subject to tackle onstage without exposing a bias either for it or against it. But with its opening play of the season, Next Fall, Theatrical Tendencies believes it’s found a show that evenhandedly explores faith by approaching it through love — the love shared by friends and family as well as the lovers at the center of the script.
High school senior Kenny Barrett is not popular. In fact, he’s picked on and teased. His response to the situation has put everyone around him on high alert, and he’s required to make a public apology to the entire school body. But what will the brooding teenager do next?
How Kenny’s family copes with his situation is at the heart of From Up Here, a 2008 New York Drama Desk and Outer Critics’ Circle nominee for best play and the season opener for Madison’s Forward Theater.
Local actor and media personality John McGivern says his current performance in Shear Madness, playing at Potawatomi Hotel & Casino’s Northern Lights Theater, is his last turn in what many fans consider to be his signature role.
Whether in reference to Stephen King’s 1974 novel or either of the two film versions, the name “Carrie” instantly conjures images of a homely high school outcast covered in pig’s blood terrorizing her tormentors with telekinetic powers. Soon fans will be able to add singing and dancing to that visceral image.
Theatre Unchained’s production of Carrie: The Musical opens Oct. 10, just in time for the Halloween season’s horror binge. But the musical also offers a strong anti-bullying message, according to director Thomas Jacobsen.