This November, the Milwaukee Theatre will transform into the African savannah, as The Lion King’s national tour rolls into town for four weeks. The lavish production, originally directed by Julie Taymor and featuring music by Elton John and Tim Rice, has gifted singers, actors and dancers, plus impressive set and costuming elements.
The curiosity surrounding a world premiere is often enough to pack the house, especially when it’s the Milwaukee Rep’s first one in years. The Stiemke Studio production of after all the terrible things I do was no exception.
In The Good Father, Irish playwright Christian O’Reilly tosses together two disparate — and dispirited — people at a New Year’s Eve party. Their chance encounter shakes up their lives and tests their divergent belief systems.
Dr. Maurice Temerlin didn’t think he was doing anything wrong when he brought his adopted daughter Lucy home from Africa in the 1960s. He and his wife simply hoped to raise her like any other child, alongside their young son. And so they did, spending the next decade teaching her manners, helping her learn to speak and watching her flip through magazines and care for her cat.
But there’s underlying drama in this domestic tale: Lucy was a chimpanzee, never meant to sleep on a king-size bed — and not always the better for doing it.
Halloween is the time for ghost stories, and the Florentine Opera has one ready to go a week early: Wagner’s epic The Flying Dutchman, playing at the Marcus Center’s Uihlein Hall on Oct. 24 and Oct. 26.
Faith is a hard subject to tackle onstage without exposing a bias either for it or against it. But with its opening play of the season, Next Fall, Theatrical Tendencies believes it’s found a show that evenhandedly explores faith by approaching it through love — the love shared by friends and family as well as the lovers at the center of the script.
Local actor and media personality John McGivern says his current performance in Shear Madness, playing at Potawatomi Hotel & Casino’s Northern Lights Theater, is his last turn in what many fans consider to be his signature role.
Whether in reference to Stephen King’s 1974 novel or either of the two film versions, the name “Carrie” instantly conjures images of a homely high school outcast covered in pig’s blood terrorizing her tormentors with telekinetic powers. Soon fans will be able to add singing and dancing to that visceral image.
Theatre Unchained’s production of Carrie: The Musical opens Oct. 10, just in time for the Halloween season’s horror binge. But the musical also offers a strong anti-bullying message, according to director Thomas Jacobsen.
The Color Purple has made waves from day one. Alice Walker’s 1982 novel takes an unflinching look at the hardships faced by women of color in the rural South of the early 20th century. Praised for its honesty and criticized for its brutality, Walker’s novel won both a Pulitzer Prize and a National Book Award for fiction in 1983, yet is number 17 on the American Library Association’s list of 100 most frequently challenged books.