Seventeenth-century playwright Aphra Behn is not a household name, even among theatergoers.
The Stonewall riots in 1969, when a police raid of the Stonewall Inn erupted into violence and motivated a generation of activists to unite, is generally considered the launch of the modern LGBT rights movement.
A fashion event that features origami, unicorns and figure skaters gliding across the Pfister Hotel ballroom sounds like a typical Timothy Westbrook event. The Project Runway alum and former Pfister artist-in-residence has made a name both for his commitment to sustainable practices, including his reuse of discarded materials, and also for his out-of-the-box fashion show ideas. For example, Paleontology of a Woman, his dinosaur-themed fashion show at the Milwaukee Public Museum last fall, featured elaborate triceratops headpieces and garments made of plastic bags.
Between productions of Florentine Opera’s Julius Caesar, by Georg Frideric Handel, Ensemble Musical Offering presents an all-Handel weekend on March 28–30. The Hallmarks of Handel concert is designed to give fans of the timeless German composer the chance to enjoy some of his best-loved chamber music.
Violinist Irene Sazar has ambitious goals. Through her San Francisco-based performance group Real Vocal String Quartet, she aims to engage a new generation of listeners and broaden their musical horizons.
The Sunset Limited begins with a black ex-con saving a white academic from throwing himself in front of an oncoming train, only to learn that his heroic efforts are unappreciated. The play, by Pulitzer Prize-winning author and playwright Cormac McCarthy, is the latest production at Uprooted Theatre, Milwaukee’s African-American troupe.
In 1988, modernist composer Philip Glass ran into out beat poet Allen Ginsberg in St. Mark’s Bookshop in New York City. Glass had agreed to perform at a benefit for the Vietnam Veterans Theater and asked Ginsberg to accompany him.
Opera buffs know that “high Baroque” opera is a different beast than the Puccini potboilers that attract casual operagoers. With its upcoming production of George Frideric Handel’s Julius Caesar, Milwaukee’s Florentine Opera will recreate the 1724 production with painful accuracy. Almost.
The vastly accomplished cast of the Milwaukee Rep’s Ain’t Misbehavin’ sings, dances and acts. Among the five of them, they play piano, drums, bass, banjo-uke, violin, saxophone, trumpet and tuba. On opening night, they moved from task to task and location to location with nonchalant joy.
You probably remember reading The lliad, Homer’s epic poem about the Trojan War, in high school. Who could forget those 15 pages of Greek generals’ names?
Budding authors are encouraged to write what they know, but such counsel often leads writers to also explore what they need to understand. For Wisconsin author Lori Matthews, personal catharsis is the seed of the narrative in October, Before I Was Born at the Milwaukee Chamber Theatre.