If it’s been a while since you’ve donned Riff Raff’s hump, Brad’s horn-rimmed glasses or Dr. Frank-N-Furter’s eye makeup and bustier, never fear. Thanks to University Theatre on the UW-Madison campus, we’ll all soon be able to do the Time Warp again.
The funny thing about “The 39 Steps,” now playing on the Quadracci Powerhouse stage at the Milwaukee Repertory Theater is … it’s funny! The murder, mayhem, espionage, chase scenes and miraculous escapes of the iconic Alfred Hitchcock thriller on which the play is based are all there. But in Patrick Barlow’s brilliant 2005 stage adaptation, they’re presented with humor.
Just in time to help lovers of all persuasions celebrate St. Valentines Day, Madison’s Forward Theater Co. presents “The Love that Changed My Life,” a monologue festival featuring short works by playwrights from Wisconsin and across the nation. The individual readings take place in Promenade Hall at Overture Center for the Arts Feb. 11- 12.
With the dawn of 2011, it’s time to reflect on last year’s rich theatrical offerings in Milwaukee. The good news? The city has an uncanny abundance of great talent, both in front of the spotlight and behind it. With so much to choose from, here are a few standouts that made the past year memorable for this reviewer.
Having performed in many productions in the Milwaukee area for years, out local actor David Flores is comfortable on stage. But with “Becky Shaw,” he’s taking a different turn, directing his first straight drama (pun intended) at Boulevard Ensemble Studio Theatre. He’s finding that being an acting veteran onstage helps with directing offstage.
Youngblood Theatre Company’s production of “Red Light Winter” was interrupted a year ago after Andrew Edwin Voss, one of the company’s actors and co-founders, was stabbed and critically injured. Fortunately Voss recovered, and Youngblood has remounted the production for those who missed the few original performances of this intelligent, compelling and decidedly adult work.
Playwright Adam Rapp’s bleak, desolate vision of romantic obsession is centered on two former college buddies – the neurotic, insecure and romantically challenged Matt (David Rothrock) and the arrogant, cocky Davis (Voss). On a trip to Amsterdam, Davis decides to end Matt’s “love drought,” which he himself caused by stealing Matt’s fiancé. Davis visits the city’s Red Light District and brings back the French prostitute Christina (Tess Cinpinski). Matt falls for Christina, and Christina falls for Davis. And Davis? He is the emotional poison that slowly, irrevocably works its way into the core of this threesome, with disastrous results for all, including Davis himself.
Kathy Griffin, who twice headlined at Milwaukee PrideFest, is filming a special for Bravo live at The Riverside Theater on Saturday, Feb. 19. The Emmy-winning Chicago native will perform two stand-up shows that evening – at 7 p.m. and 9 p.m.
Reserved seating tickets are $35 and go on sale Friday, Jan. 14, at noon. They can be purchased online, by phone at 800-511-1552 or at The Pabst and The Riverside box offices.
Will Swenson went from very hairy to virtually hairless in a matter of weeks.
He jumped from acting in “Hair: in London's West End in May to vamping in “Priscilla Queen of the Desert the Musical” in Toronto. Now instead of cultivating his curls, Swenson finds himself shaving – a lot.
Milwaukee theater continues to expand its horizons with an exciting collaboration between Renaissance Theaterworks, the city’s only women-founded, women-run theater company, and Uprooted Theatre, the only all African-American theater company.
As part of its diversity series, the two companies recently staged “Crumbs from the Table of Joy,” an early work by Pulitzer Prize winner Lynn Nottage, an African-American playwright whose last work was seen at The Rep with the 2006 production of “Intimate Apparel.”
Mack the Knife and his colorful entourage of petty thieves and streetwalkers return to the stage Feb. 4 in Madison Opera’s new production of “The Threepenny Opera.” By author Bertolt Brecht and composer Kurt Weill, the gritty classic on social injustice in Victorian London runs for seven performances.
As part of the ensemble for the North American touring company of “Mamma Mia!” for the past 18 months, Mario Matthews is well acquainted with the music of ABBA. The play revolves entirely around the Swedish pop group’s playlist, and Matthews knows all the words to all the songs that appear in the seemingly never-ending touring show.
When the actor Thom Bierdz returned to the CBS daytime drama “The Young and the Restless” to reintroduce his character of Phillip Chancellor III, he made history of a sort as the first openly gay actor to play an openly gay soap opera character. It was the only way he would return to the show, the Kenosha native said, because he had changed and needed his character to be true to who he is.