No one was more surprised than John Oliver at the world’s reaction to his takedown of the Miss America Pageant, specifically its claim of providing millions in academic scholarships for women. Women’s scholarship funds such as the Society of Women Engineers received a major bump in both donations and website visits thanks to Oliver’s satirical treatment of the pageant.
Karen Olivo’s next performance will be far from the glittering lights of Broadway, where she won a Tony Award for her performance as Anita in the 2009 Broadway revival of West Side Story. She’ll appear in the city she now calls home — Madison.
High school senior Kenny Barrett is not popular. In fact, he’s picked on and teased. His response to the situation has put everyone around him on high alert, and he’s required to make a public apology to the entire school body. But what will the brooding teenager do next?
How Kenny’s family copes with his situation is at the heart of From Up Here, a 2008 New York Drama Desk and Outer Critics’ Circle nominee for best play and the season opener for Madison’s Forward Theater.
It’s common for Milwaukee Rep actors to shuffle through various roles in the company’s annual production of Charles Dickens’ A Christmas Carol, but Jonathan Smoots has taken it to a new level.
Given that the legendary pianist Liberace was a Milwaukee native, the Milwaukee Repertory Theater had reason to believe local audiences would embrace its 2010 biographical cabaret performance starring local musician Jack Forbes Wilson as Mr. Showmanship himself. But Liberace! more than earned its explanation point.
This November, the Milwaukee Theatre will transform into the African savannah, as The Lion King’s national tour rolls into town for four weeks. The lavish production, originally directed by Julie Taymor and featuring music by Elton John and Tim Rice, has gifted singers, actors and dancers, plus impressive set and costuming elements.
Turning successful film and television programming into stage productions is the way the entertainment industry operates these days, and the classic holiday special Rudolph the Red-Nosed Reindeer isn’t exempt from the trend. Fifty years after the original TV special first aired, a stage version of the beloved holiday tale is currently being produced at theaters across the United States, and a national touring production is crisscrossing North America.
Bill Cosby remembers fondly a show he performed at Madison’s Overture Center for the Arts several years ago — especially the couple who arrived late.
Dr. Maurice Temerlin didn’t think he was doing anything wrong when he brought his adopted daughter Lucy home from Africa in the 1960s. He and his wife simply hoped to raise her like any other child, alongside their young son. And so they did, spending the next decade teaching her manners, helping her learn to speak and watching her flip through magazines and care for her cat.
But there’s underlying drama in this domestic tale: Lucy was a chimpanzee, never meant to sleep on a king-size bed — and not always the better for doing it.
Halloween is the time for ghost stories, and the Florentine Opera has one ready to go a week early: Wagner’s epic The Flying Dutchman, playing at the Marcus Center’s Uihlein Hall on Oct. 24 and Oct. 26.