When Steve Gonsalves first saw Ghostbusters, the 1984 Bill Murray comedy about four hapless souls who chase paranormal specters and save New York City from the powers of darkness and a giant Stay Puft Marshmallow Man, his life’s course became clear.
With a nod to New York theater critic Charles Isherwood, the older you get, the sooner it seems you are faced with the prospect of listing the best productions of the year.
The lights of Broadway glow brighter during the holiday season. For proof, look no further than the third week in November: It was the highest-grossing and best-attended Thanksgiving week in Broadway history. Ticket buyers shelled out $34.1 million.
Of all Shakespeare’s plays, Macbeth is among the most gendered, its characters struggling with the ways their society expects them to act like men or women.
This year’s best-in-theater list includes a musical with multiple murders, another with a cross-dressing German, one that’s set in a decadent Berlin nightclub, the revival of an America masterpiece and we celebrate someone who broke an important barrier. Our Top 10 list of the best in theater in 2014:
1. “Hedwig and the Angry Inch”: The cult story about a transgender East German rock star seemed just to be waiting for its time to shine on Broadway and Neil Patrick Harris turned out to be a perfect fit for her high heels.
The yellow brick road at Skylight Music Theatre leads to a refreshing evening of holiday entertainment that provides all the cheerful sentimentality you need for the season without overdosing you on Santas, snowflakes and carols.
No one was more surprised than John Oliver at the world’s reaction to his takedown of the Miss America Pageant, specifically its claim of providing millions in academic scholarships for women. Women’s scholarship funds such as the Society of Women Engineers received a major bump in both donations and website visits thanks to Oliver’s satirical treatment of the pageant.
Anything Goes is an emblematic musical, a chunky yarn in the fabric of American culture that has warmed audiences for 80 years. Nearly every song in the first act is a cherished part of the Great American Songbook. Whether you’re 30 or 70, you’ll find yourself singing along (in your head at least) and tapping your toes to Cole Porter’s clever lyrics and familiar tunes — including “I Get a Kick out of You,” “You’re the Top,” “Easy to Love,” “Friendship,” “It’s De-lovely,” “Blow, Gabriel, Blow,” and of course, “Anything Goes.”
If you’ve ever cheered the Green Bay Packers, sipped a cold one — or a cold six-pack — in subzero temperatures or worn a Styrofoam cheese wedge on your head, then Guys on Ice is the holiday show for you.
Alas, poor Shakespeare! You thought you knew him well … and then came a merry band of pranksters to ruffle your refined sensibilities. That’s what happens in the uproarious The Complete Works of William Shakespeare (abridged) [revised].
It’s common for Milwaukee Rep actors to shuffle through various roles in the company’s annual production of Charles Dickens’ A Christmas Carol, but Jonathan Smoots has taken it to a new level.