Veteran Milwaukee stage actor Mary MacDonald Kerr fills the intimate Studio Theatre with suspense in the one-woman show “The Detective’s Wife.”
The play, by Chicago playwright Keith Huff, is a humdinger of a mystery. At intermission, audiences might think they’ve got the ending figured out. But when the lights finally fade to black, they’ll discover that more questions have been raised than answered.
Milwaukee is blessed with a wide array of theater venues and companies to suit almost everyone’s taste. But whether a theater company focuses on splashy, big-budget musicals or intimate dramas, every troupe has the same bottom-line interest: to stay in the black.
In order to achieve this goal, theater companies – like all performing arts groups – are getting more creative in designing ticket deals and special programs to attract new and/or young audiences. Their marketing efforts often require as much creative thinking as do their productions.
Some of the most frightening ghosts are not ectoplasms floating through haunted houses, but the spirits of dark ideas that return to threaten continued harm. It’s the ghost of South African apartheid that haunts the characters in M.E.H. Lewis’ “Burying the Bones,” which opens the 2013–14 season of Milwaukee’s In Tandem Theatre Co.
At the center of the play, a Wisconsin premiere, is the character Mae (Malkia Stampley), who seeks the truth behind the disappearance of her husband James (Di’Monte Henning), a member of the African National Congress.
StageQ, Madison’s LGBT theater troupe, will undertake Shakespeare for the first time this month with a “gender-queer” production of the Bard’s comedy “Much Ado About Nothing.” The production, which opens the group’s 2013–14 season, will put less emphasis on the comedy and more on the romance of the story, according to new artistic director Audrey Lauren Wax.
Wax says StageQ’s contemporary retelling of the story will be nothing like Shakespeare fans have ever seen.
After he applied for the position of Milwaukee Repertory Theater’s managing director, Chad Bauman proceeded to check out the company’s reputation in the national theater community. His caution was understandable.
Two gay men begin a phone-sex relationship against the terrifying backdrop of the emerging AIDS epidemic. Although their physical contact is limited to sound waves, the couple’s erotic talk sessions lead to a deeper connection.
English playwright Harold Pinter is the master of stripping characters to the nerve with disarmingly spare but astringent dialogue. The result can be a soul-cauterizing experience for the audience – an effect that’s made Pinter’s 1978 work “Betrayal” one of his most critically acclaimed.
“Betrayal,” which uses reverse chronology to tell a story inspired by one of the playwright’s extramarital affairs, was made into a 1983 film starring Jeremy Iron. It’s scheduled for a revival starring Daniel Craig and Rachel Weisz that opens on Broadway on Oct. 27.
'Prison Break' star Wentworth Miller attempted suicide as gay teen
In a video obtained by TMZ, the 41-year-old actor says:
The Milwaukee Repertory Theatre kicks off its fall season with its largest-ever production, the musical adaptation of E.L. Doctorow’s American epic “Ragtime.” And Rep artistic director Mark Clements, who is directing the show, doesn’t mind telling you he’s both enthralled and exhausted by the process.
There’s Denzel Washington and Billy Crystal, plenty of Shakespeare and a nice dash of Harold Pinter. There’s even a musical of the boxing classic “Rocky” and the much anticipated return of Neil Patrick Harris and “Les Mis.”
This upcoming season on Broadway seems to have something for everyone.