Dee Dee Bridgewater might have been a Broadway star were she not so successful as a jazz singer. She won a Tony Award in her Broadway debut as Glinda the Good Witch in "The Wiz." But she later rededicated herself to her jazz career, touring the world, winning three Grammys Awards and hosting NPR's nationally syndicated "Jazz Set."
Now the 63-year-old Bridgewater has put her jazz career on hold to return to the New York stage for the first time since 1979 in the off-Broadway musical play, "Lady Day," about legendary jazz singer Billie Holiday. The role not only involves more than 25 musical production numbers but also 16 monologues, or "regressions," that look at the brilliant singer's troubled life.
Unable to attend the Milwaukee production of “Jersey Boys”? Need a little more doo-wop? Fuhgedaboutit! The Midtown Men are making two stops in Wisconsin during their current 77-city tour.
English playwright Harold Pinter is the master of stripping characters to the nerve with disarmingly spare but astringent dialogue. The result can be a soul-cauterizing experience for the audience – an effect that’s made Pinter’s 1978 work “Betrayal” one of his most critically acclaimed.
“Betrayal,” which uses reverse chronology to tell a story inspired by one of the playwright’s extramarital affairs, was made into a 1983 film starring Jeremy Iron. It’s scheduled for a revival starring Daniel Craig and Rachel Weisz that opens on Broadway on Oct. 27.
'Prison Break' star Wentworth Miller attempted suicide as gay teen
In a video obtained by TMZ, the 41-year-old actor says:
Murder, mayhem and all that jazz has returned to Madison this month in the Tony Award-winning musical “Chicago.” Roxie Hart, Velma Kelly and the incomparable Billy Flynn have taken over the Overture Center for the Arts stage Oct. 1–6 as part of the Broadway at Overture series.
Veteran Milwaukee stage actor Mary MacDonald Kerr fills the intimate Studio Theatre with suspense in the one-woman show “The Detective’s Wife.”
The play, by Chicago playwright Keith Huff, is a humdinger of a mystery. At intermission, audiences might think they’ve got the ending figured out. But when the lights finally fade to black, they’ll discover that more questions have been raised than answered.
Milwaukee is blessed with a wide array of theater venues and companies to suit almost everyone’s taste. But whether a theater company focuses on splashy, big-budget musicals or intimate dramas, every troupe has the same bottom-line interest: to stay in the black.
In order to achieve this goal, theater companies – like all performing arts groups – are getting more creative in designing ticket deals and special programs to attract new and/or young audiences. Their marketing efforts often require as much creative thinking as do their productions.
Out production designer Richard Hester has worked on “Jersey Boys” since its inception eight years ago. Still, he didn’t know what to expect on the show’s opening night in Amsterdam. How would audiences in the Venice of the North respond to the distinctly American musical about the lives and careers of Frankie Valli and the Four Seasons?
Some of the most frightening ghosts are not ectoplasms floating through haunted houses, but the spirits of dark ideas that return to threaten continued harm. It’s the ghost of South African apartheid that haunts the characters in M.E.H. Lewis’ “Burying the Bones,” which opens the 2013–14 season of Milwaukee’s In Tandem Theatre Co.
At the center of the play, a Wisconsin premiere, is the character Mae (Malkia Stampley), who seeks the truth behind the disappearance of her husband James (Di’Monte Henning), a member of the African National Congress.
StageQ, Madison’s LGBT theater troupe, will undertake Shakespeare for the first time this month with a “gender-queer” production of the Bard’s comedy “Much Ado About Nothing.” The production, which opens the group’s 2013–14 season, will put less emphasis on the comedy and more on the romance of the story, according to new artistic director Audrey Lauren Wax.
Wax says StageQ’s contemporary retelling of the story will be nothing like Shakespeare fans have ever seen.
After he applied for the position of Milwaukee Repertory Theater’s managing director, Chad Bauman proceeded to check out the company’s reputation in the national theater community. His caution was understandable.