Tom Petty and the Heartbreakers, “Hypnotic Eye” (Reprise)
Tom Petty isn’t singing about himself on his new tune, “Forgotten Man,” but he can’t be blamed for thinking like that.
Appleton becomes Americana Central during the weekend of Aug. 7–10, when the Wisconsin city hosts the second Mile of Music Festival.
Nearly 13 years ago, Natalie Merchant released Motherland, her last album of all-new material until this May. Motherland was released in the wake of 9/11, and, although recorded before the attacks, it was dedicated to the victims of the terrorist attacks that day. Merchant’s latest album, simply titled Natalie Merchant, is a sequel of sorts.
Jennifer Hudson’s story is the stuff of legends. The Chicago native’s meteoric rise from American Idol competitor to Oscar-winning actress is a once-in-a-generation story. We knew she could sing, but when she stole the movieDreamgirls from Beyoncé, she entered the stratosphere. Personal tragedies (the murder of family members) and triumphs (remarkable weight loss) followed. Hudson has persevered through whatever life has thrown her way and continued to turn out memorable work and performances. Her third album Driven, soon to be released, is expected to show yet another side of the star.
Only in its third year, Wisconsin’s Summer Set Music and Camping Festival has quickly become a top destination on the summer music scene. Spread across three days — Aug. 15–17 — the festival features music from the electronic and jam band genres.
Bands generally work best when their members share a unity of vision. Phox is the exception, in some ways – their differences form synergy, not strife.
As a Summerfest-goer since 1968, I have seen my share of legendary acts and a sizable slice of contemporary music history on Milwaukee’s lakefront.
By all accounts, Tim Hauser is a lucky man, and luck has helped propel The Manhattan Transfer, the group he founded in 1969, on an impressive career trajectory as the country’s best-known jazz vocal group.
Live Nation's partnership with Yahoo to stream one live concert every day is a rare win for music fans. The series, which began with the Dave Matthews Band in mid-July, offers free, high-quality concert footage in a way that helps the companies providing it, since selling ads is more profitable than concert promotion.
The deal opens up a new revenue stream for Live Nation, which reported second quarter earnings Thursday that fell short on profit but beat Wall Street's revenue expectations. And for Yahoo, premium video ad prices could be a cure for its plunging display ad rates.
Digital characters have by now long populated our movies like unwanted house guests. Some of these CGI inventions, like Gollum in "The Lord of the Rings," have been pleasant, even precious company. But most have disrupted our movie worlds - and not just as monsters tearing our cities apart, but as awkward distractions to our cinematic realities. The name Jar Jar Binks will forever be followed by solemn head shaking. Never forget.
But in "Dawn of the Planet of the Apes," the tables have turned, and not just because apes now rule a world where all but 1 in 500 humans have been wiped out by a so-called simian flu virus. No, the biggest uprising in the sequel to 2011's "Rise of the Planet of the Apes" is by those digitally created, nonhuman characters which have finally and resoundingly come of age.
More than 70 years ago, woman drummer Viola Smith rattled the music establishment when she wrote an editorial for the jazz magazine Down Beat declaring that “hep girls” could hold their own in any jam session. The piece, title “Give Girl Musicians a Break!,” expressed the frustration that she faced as a woman playing instruments that society believed women were not capable of playing as well as men.
Milwaukee band Ivy Spokes first came together in 2011 and released a debut EP titled Chaos to Cosmos. The band describes its sound as dance rock, but that doesn’t fully honor the wide range of sounds that are woven into an Ivy Spokes show.