The quirky abortion rom-com Obvious Child is about a single stand-up comedian named Donna (the amazing Jenny Slate), who gets pregnant after a one-night stand with Max (Jake Lacy) and decides to have an abortion — on Valentine’s Day.
But it’s not just the offbeat situation that’s behind this indie flick’s rave reviews. It’s the authentic relationships between Donna, Nellie (grown-up child actor Gaby Hoffmann) and Joey (gay comedian Gabe Liedman) that make this comedy special. Their hilarious onscreen interactions make Obvious Child a must-see.
Liedman has earned a reputation beyond the stand-up comedy world, including as a writer for the Andy Samberg’s Fox sitcom Brooklyn Nine-Nine.
He spoke with me recently about Obvious Child, Jenny Slate and more.
You make your feature film debut in the new movie Obvious Child. What was that experience like? An 11 out of 10. It was the most positive experience ever.
What made it so positive? It’s hard to see this now, because it’s a film that’s playing in theaters across the country. But when we were making it, it had no guarantee of ever being seen. It was a really small budget and a really small crew. We were kind of all friends or becoming friends. It was so positive and low-key, which makes everything that’s happened since just such a huge happy surprise.
You play Joey, the gay best friend of Donna, played by Jenny Slate. What was it about the character that made you want to play him? I really liked the portrayal of the gay best friend (laughs) in this movie. I thought that this was, first of all, not snarky. He’s a little snarky, but in the way that you’re realistically snarky with friends. He doesn’t wear a bow tie, he’s not her roommate, he’s not her assistant. He seems to have his own life. I felt like (writer/director) Gillian (Robespierre) was creating a gay guy like I think I am, like my friends are. I thought, “Hell, yeah.”
What are the challenges and rewards of being a gay man playing a gay man in a movie? It’s really nice (laughs). I write for Brooklyn Nine-Nine, which is a show on Fox set in a police precinct. The captain is gay and he’s played by Andre Braugher, who’s not actually a gay guy. Every day, I watch a straight guy play a gay guy. That’s always kind of a minefield. You can really pull it off if you are a talented actor who is being given material that lets you be respectful and show love and all that stuff. But there’s also something really nice about The Normal Heart, where most of the cast playing gay guys, except for the lead, are actual gay guys. They’re not walking into that minefield of, ”Do I do a voice? Should I hold myself differently? Is my co-star going to be weird when I kiss them?” I’m also really happy to be living in a time when actors can be out of the closet and still work.
You are also a comedian. What are the challenges and rewards of being a comedian playing a comedian in a movie? If anyone knows who I am, they know me because I do stand-up. I don’t want to be in a more widely available format doing stand-up I don’t believe in. That was something that took zero fights and zero convincing to get across to Gillian. She was so open to help in writing the stand-up and she was so inclusive of my voice and Jenny’s voice as individual performers to the point where it was like, “Great, now I’m not scared at all.” Part of what you see there is stand-up that I’ve been doing as myself for a long time. Part of it is stuff that I improvised on the spot just for the hell of it.
The way a comedian would do. Yes, exactly. The Jeffery Dahmer stuff — that was just a riff in between something much longer. It’s so funny on its own. Gillian has an eye for comedy. She is so funny and such a good director. But she’s never done stand-up and she knows that. It’s a huge relief to be doing stand-up in a movie that is actually funny.
How would you best describe your relationship, both personally and professionally, with Slate? Personally and professionally are very intertwined, because we’ve been best friends since we were about 18. We met during freshman year of college (at Columbia University) in the comedy club at our school. When we started doing stand-up, we started as a duo before we went solo. I think we are each other’s home base. Beyond that, we also cook dinner together sometimes and know each other’s boyfriends and husband and go to the supermarket and talk on the phone. Now that we’re both busy in Hollywood, we go for hikes in the morning before we get to work.
Sadly, in 2014, a woman’s right to choose, the subject matter of Obvious Child, is still a hot-button issue. Are you prepared for a potential backlash against the film? You have to be prepared for anything, certainly. No one who made this movie is unaware of the fact that, in the last year or two, this has been the most aggressive Congress ever in trying to limit a woman’s right to choose. I don’t know if (there) will be a backlash. There are a lot of shut doors, a lot of people who won’t be reached by this. I know that Gillian and Jenny and the producers are not interested in fanning that kind of reaction for publicity. You won’t find Jenny going on Glenn Beck to have the argument to get clicks on the blog. The negative will come, but hopefully it will come in the form of crossed arms and rolled eyes, and nothing scary.
What can you tell me about any new or upcoming projects you have? I write for Brooklyn Nine-Nine, which is a huge show that takes up most of my time. I’ve also got scripts that will be seeing the light of day sooner rather than later. For the most part, my life is Brooklyn Nine-Nine. Season two of Brooklyn Nine-Nine starts this fall and season three of Kroll Show comes out in the winter. Those will sound a lot like me because I wrote for them (laughs).