Subtitled “An American Coming of Age Story,” Nicole Opper’s documentary provides a unique LGBT twist to the-coming-of-age genre.
The film begins with teenager Avery writing a letter to her birth mother. Raised in a Jewish household by adoptive lesbian mothers Travis and Tova, alongside brother Rafi (and later Samuel Isaiah AKA Zay-zay), Avery’s interest in her birth heritage arose from attending Erasmus Hall High School in Brooklyn, which has a large African-American student population. A good student and a rising track and field star, it took Avery five years to finally write to her birth mother. She was held back by fear of rejection.
After a few months, Avery receives a response from her mother. It is warm and friendly, but distant. In it, Kay answers some of Avery’s questions. But Avery’s experience is different than that of her best friend Jenna (who met her birth mother) and her brother Rafi (who chose not to meet his birth mother, but made a connection with his blood brother and sister).
Throughout his lengthy and prolific career, acclaimed filmmaker Martin Scorcese has been the kind of director that other directors admire and emulate. Whether he’s deconstructing the movie musical (“New York, New York”), setting the standard for the concert film (“The Last Waltz”), redefining the biopic (“Raging Bull,” “The Aviator”), commenting on modern culture (“Taxi Driver,” “The King of Comedy”) or the mob (“Casino,” “Good Fellas”) or exploring period pieces (“The Age of Innocence,” “Gangs of New York”), Scorcese’s vision is uniquely his own.
Acclaimed filmmaker Nicole Holofcener has made movies with strong and compelling female characters beginning in 1996 with “Walking and Talking.” “Lovely & Amazing” (2001) and “Friends With Money” (2006) followed. Her latest, “Please Give,” continues the trend. Sisters Rebecca (Rebecca Hall) and Mary (Amanda Peet), have a complex relationship, made even more so by the presence of their grandmother Audra (Ann Morgan Guilbert), who raised them following their mother’s suicide. Living next door to Audra are Kate (Catherine Keener) and Alex (Oliver Platt). Kate, who runs a vintage collectibles store with Alex, is having a multi-faceted personal crisis.
Before he became the Oscar-winning director of the box office blockbuster “The Lord of the Rings” trilogy, Peter Jackson made an exceptional little film called “Heavenly Creatures,” starring future Oscar winner Kate Winslet. If anything, it proved that he could create an intimate cinematic experience as effortlessly as he was able to craft special-effects fantasies.
Unfortunately, with his film adaptation of Alice Sebold’s highly regarded novel “The Lovely Bones,” it’s clear that Jackson has lost some perspective.