Movie buff Jim Healy’s life is governed by a single credo: There are no new films or old films, only films that he hasn't yet seen.
Glen Campbell’s daughter says that although she can’t have a typical conversation with her father, who suffers from Alzheimer’s disease, she’s able to speak to him through music.
“When you sit there and play a guitar right in front of him, it really seems to reach him,” Ashley Campbell said in a recent interview. “So I try to do that as often as I can.”
Eighty years after the federal Works Progress Administration put unemployed artists to work creating sculptures and murals for post offices and courthouses comes this reminder from film maker Michael Maglaras: Look around.
Much of the art is still there and has as much meaning now as it did during the Great Depression, says Maglaras, whose documentary “Enough to Live On: The Arts of the WPA” will be released May 15.
Lena Dunham dreams of the day when a man might say, "It's impossible to get into Hollywood. It's an old women's network."
The creative force behind HBO's "Girls" shared the stage with "The Mindy Project" creator Mindy Kaling, "Bridesmaids" star and co-writer Kristen Wiig and "Orange Is the New Black" show-runner Jenji Kohan for a discussion on women in Hollywood this past weekend at the Sundance Film Festival.
Given that conformity is the scourge of the "Divergent" series and much of its young-adult ilk, it's a shame that the films, including the new "Insurgent," do so little to stray from well-worn YA paths.
For a series that waves the banner of individualism, they make a poor case for it. Instead of throbbing with a teenage spirit of rebellion — or things like youthful wildness, humor or sex — the two "Divergent" movies are curiously content to eke out a rigid, lifeless fable in drab futuristic environs.
Ahead of Sunday's 87th Academy Awards, Associated Press film writers Jake Coyle and Lindsey Bahr share their predictions for a ceremony that could be a nail biter.
What are TV viewers seeking from their annual Oscar fix? The same thing they want from movies: drama, comedy, sex, slapstick, glamour and romance.
Fabienne Bullot knew she had found a city of kindred spirits when she left the 2013 Milwaukee Film Festival screening of Earth. The visiting assistant professor of French at UWM had been pleased, shortly after her arrival in Milwaukee, to learn Milwaukee Film would be screening Ukrainian film director Alexander Dovzhenko’s silent Soviet-era film about the process of collectivism, with live musical accompaniment by postrock band Group of the Altos. But she was more pleased when the film received a thunderous standing ovation.
If you’re going to do a movie sequel that doesn’t quite measure up to the original and seems rather hurriedly cobbled together, well, OK. Many filmmakers have done the same.
But actually putting the words “Second Best” in the title? Now, that’s just asking for the unflattering comparisons.
It was a year ago that Lupita Nyong’o, shortly before winning the Academy Award for best supporting actress, gave a speech about what she called “dark beauty.”
Through archival footage and interviews with her family, closest confidants and collaborators, Nina Simone comes to life again — still enigmatic but more easily understood — in the new documentary "What Happened, Miss Simone?" which premiered Thursday night at the Sundance Film Festival.
A classically trained pianist, accidental singer, passionate activist and often-lost soul, Nina Simone's many facets are illuminated in the film by director Liz Garbus, whose first film played at Sundance 16 years ago.