The 67th annual Cannes Film Festival featured a number of remarkable performances, many of them from big-name stars. These were among the actors that had Cannes buzzing:
• Steve Carell: It was an open question which star of Bennett Miller’s “Foxcatcher” turned in the most impressive performance. There’s Channing Tatum as Olympic wrestler Mark Schultz, a physically potent but emotionally stunted man. And as his older sibling and mentor, Mark Ruffalo’s brotherly physicality is also essential. But Carell, with a prosthetic nose and grayed hair, was the one to cause the biggest stir at Cannes for his dramatic turn as the creepy multi-millionaire John du Pont who’s obsessed with the other two.
Four, the full-length feature film debut by writer/director Joshua Sanchez, is an adaptation of award-winning gay playwright Christopher Shinn’s first play. An intimate portrait of four characters’ lives intersecting on the fourth of July, the film features solid performances, but the film as a whole comes off as self-conscious.
Wiry Zoe Saldana got a kick out of wearing a huge fake belly as she played a young, pregnant wife on the Paris set of the remake of the classic horror tale "Rosemary's Baby."
"Every time I wear the really big ones, it breaks everybody's heart whenever we're doing all those stressful scenes, so I am milking that, I am really milking that," the actress quipped as she sat in a hospital room used as a filming location.
Matthew Vaughn and a superb cast reinvigorated the franchise with cool retro style and globe-trotting intrigue in 2011’s “X-Men: First Class.” The series’ original director, Bryan Singer, continues that momentum in the vigorously entertaining “X-Men: Days of Future Past.” While it’s more dramatically diffuse than the reboot and lacks a definitive villain, the new film is shot through with a stirring reverence for the Marvel Comics characters and their universe. And it ups the stakes by threatening nothing less than the genocide of the mutant population, among them faces old and new.
Hardcore followers will have a geek field day dissecting the challenging pretzel logic of writer-producer Simon Kinberg’s screenplay, from a story by Jane Goldman, Kinberg and Vaughn, who had originally planned to direct. The central premise comes from the 1981 Uncanny X-Men comic “Days of Future Past,” in which Kitty Pryde (recently out Ellen Page) uses her consciousness transference powers to go back from a dystopian future and rewrite history.
More exotic creatures thrive in the shadows of summer blockbusters. Here are 10 of the most anticipated indie films due this summer, nary a caped superhero or city-crushing monster among them.
A man who claims he was sexually abused by X-Men franchise director Bryan Singer said that he reported the molestation to authorities at the time, and he does not know why charges were never pursued.
His surviving gay lover Pierre Berge didn’t want this film to see the light of day.
But over the weekend, the controversial, no-holds-barred story of one of the 20th-century’s greatest fashion designers, Yves Saint Laurent, who died in 2008, screened in competition at Cannes.
Floating in past a misty Statue of Liberty, James Gray's "The Immigrant" somberly gathers its majesty as a metaphor-rich story of passage and survival. It's an old tale told with rare precision, channeling grand themes into an intimate melodrama.
Ellis Island, a portal of hope and new beginning for films from Elia Kazan's "America, America" to Francis Ford Coppola's "The Godfather, Part II," is here a more complicated rebirth.
When Kander & Ebb’s Tony Award-winning musical Chicago finally hit the big screen in 2002 after a few failed attempts (including proposed versions rumored to star Liza Minnelli and Goldie Hawn), it was a massive success. The winner of six Oscars, including best picture, Chicago seemed to signal the return of the big-screen movie musical.