After failed attempts and broken dreams, by golly, someone went and put "Fargo" on series TV.
The 10-episode season premiered Tuesday on FX. And it mesmerizes. As a furtherance of the 1996 crime classic by Joel and Ethan Coen that starred Frances McDormand, William H. Macy and Steve Buscemi, the TV adaptation is a wonder.
"The Thin Man" with blood cocktails, an ode to hipsterism through the ages, a mainline shot of cool and a playful tribute to artistic fetishism, Jim Jarmusch's vampire romance "Only Lovers Left Alive" is an addictive mood and tone piece, a nocturnal reverie that incidentally celebrates a marriage that has lasted untold centuries. Almost nothing happens in this minor-key drift through a desolate, imperiled modern world, and yet it is the perennial downtown filmmaker's best work in many years, probably since 1995's "Dead Man," with which it shares a sense of quiet, heady, perilous passage.
Vampire stories come in all shapes and sizes and the blessed and afflicted couple here is well-dressed, madly sophisticated, has impeccable taste in music and literature (the couple's closest friend is Christopher Marlowe) and is still in love like newlyweds. The woman's younger sister considers them condescending snobs, but perhaps that's just a negative way of acknowledging that, given hundreds of years of years of exposure to art and culture, one would be a fool not to have developed a high level of discrimination in such matters.
After weathering a sea of controversy among fundamentalist Christians, "Noah" arrived in first place at the weekend box office.
For more than a decade, cinematographer Wally Pfister brought director Christopher Nolan's cinematic visions to life. Now, he's the one calling the shots.
His directorial debut, the new sci-fi mystery "Transcendence," has many elements of a Nolan blockbuster — eye-popping visual effects, a mind-bending story and an A-list lead in Johnny Depp. All of those things translate into high expectations for Pfister, who jokingly likens his newly christened director's seat to an "electric chair."
In California's fertile Central Valley, immigrant workers pick produce sold worldwide. They're mostly Spanish speakers who work long hours in the dirt and sun — not your typical crowd for a Hollywood movie premiere.
But this week, they were the guests of honor at a special screening of "Cesar Chavez," the new biopic opening today. More than 1,000 farm workers sat in folding chairs outside the union hall where the first contracts were signed in 1970 between those who owned the fields and those who worked them. An inflatable movie screen stood upfront. The spirit of Cesar Chavez was everywhere.
Girls Like Us, the biopic about Joni Mitchell, Carly Simon and Carole King is in development, with Taylor Swift cast as Joni (could you die?). At the same time Beautiful: The Carole King Musical is currently running on Broadway. So what could be a better time for the SD Blu-ray release of Joni Mitchell’s Woman of Heart and Mind + Painting With Words and Music. Combining the 2003 PBS American Masters doc Woman of Heart and Mind with the 1998 CBC-produced concert film Painting With Words and Music on one Blu-ray would be inspired any time.
The pre-pre-season opening kickoff of the 2014 National Football League schedule is returned for a score in "Draft Day," an entirely conventional serio-comic sports world melodrama that pushes its buttons with undeniable professional finesse.
In his most effective full star turn in perhaps a decade, Kevin Costner dominates as the greenhorn general manager of the beleaguered Cleveland Browns who could emerge from the heavy shadow of his late revered father with the successful handling of the annual draft of college players.
The youngest daughter of director and writer Orson Welles is giving film buffs a chance to buy some of his personal possessions, including a camera, scripts and photos from the set of “Citizen Kane.”
Beatrice Welles discovered the relics last year in boxes and trunks and decided to put them up for auction. She said her father would have preferred making the memorabilia available to film buffs and fans as opposed to sending them to a museum.
When Aaron Paul received the script for Need for Speed, he had very little interest in even reading the story, let alone taking a starring a role in the movie.