Film

‘Midnight in Paris’ shows Allen back to form

Written by Gregg Shapiro Jun 2, 2011
A scene from Woody Allen’s “Midnight in Paris.”

A scene from Woody Allen’s “Midnight in Paris.” – Photo: Courtesy

“Midnight In Paris,” Woody Allen’s return to form (after a pair of missteps), begins in Paris at daylight. The beautiful shots wouldn’t be out of place in Condé Nast Traveler.

Circus Museum goes Hollywood for ‘Water for Elephants’

Written by Michael Muckian,
Contributing writer
May 5, 2011
Robert Pattison and Rosie the elephant in a scene from “Water for Elephants.”

Robert Pattison and Rosie the elephant in a scene from “Water for Elephants.” – Photo: Courtesy

When Steve Freese, executive director of the Circus World Museum in Baraboo, heard that 20th Century Fox had purchased the movie rights to “Water for Elephants,” Sara Gruen’s popular novel about a Depression-era circus, he lost no time in sending a proposal to the film’s producers. If they wanted authenticity, Freese was ready to provide guidance from the greatest circus museum on Earth.

‘Uncle Boonmee’ hovers between life, death

Written by Gregg Shapiro Apr 21, 2011
Uncle Boonmee

“Uncle Boonmee Who Can Recall His Past Lives” screens on May 8 at UWM Union Theatre in Milwaukee. – Photo: Courtesy

Don’t expect to come away from “Uncle Boonmee Who Can Recall His Past Lives” with a deeper meaning of life, either yours or Uncle Boonmee’s. Leisurely paced, to say the least, this work from gay Thai filmmaker Apichatpong Weerasethakul received the Palme d’Or at Cannes.

‘Stonewall Uprising’ sets stage for revolt

Written by Gregg Shapiro Mar 10, 2011
Stonewall Uprising

“Stonewall Uprising” is screened on March 19 at 7 p.m. at Unitarian Church North, 13800 N. Port Washington in Mequon. Call 262-375-3890.

There is no shortage of good LGBT documentaries, and “Stonewall Uprising,” based on David Carter’s book “Stonewall: The Riots that Sparked the Gay Revolution,” takes its proud and rightful place among its predecessors. Co-directors Kate Davis and David Heilbroner provide a suitable amount of background through photographs and “dramatic recreation” for what was to become the gay “Rosa Parks moment.”

Gay filmmaker Francois Ozon talks ‘Potiche’

Written by Gregg Shapiro May 19, 2011

The title of the delightful new comedy “Potiche,” from out French filmmaker Francois Ozon, translates as “trophy wife.” That’s how Suzanne (Catherine Deneuve) and her children, conservative daughter Joëlle (Judith Godrèche) and sexually ambiguous son Laurent (Jérémie Renier), begin to see her in the hours leading up to the strike at the umbrella factory run by the head of the household Robert (Fabrice Luchini). But everything changes following Robert’s heart attack and Suzanne’s sudden ascension to the company’s helm. Funny, sexy and colorful, “Potiche” strikes all the right notes. I spoke recently with Ozon about the film.

Gregg Shapiro: “Potiche” is loosely based on the play by Pierre Barillet and Jean-Pierre Grédy. What about the story appealed to you?

Film reviews

Written by Gregg Shapiro May 5, 2011

In “Everything Must Go,” first-time writer/director Dan Rush takes the premise of a short story by the late Raymond Carver and expands on it, providing Will Ferrell with his latest attempt to widen his horizon and appeal to the growing indie film audience (see “Stranger Than Fiction”).

Nick (Ferrell), an Arizona-based regional salesman with a serious drinking problem, has been let go from his job on the same day that his wife Catherine, a recovering alcoholic, has thrown him out of the house. In fact, she’s scattered all his possessions on the front lawn. Given these lemons, Nick at first makes hard lemonade, drowning his sorrowful situation in beer.

Film shows Canada's African community rejects gays

Written by Louis Weisberg Mar 24, 2011

Despite their long stay in western countries where homosexuality is accepted, African people living in Canada have not really accepted the LGBT community and still share the same prejudices with the large majority of those living on the African continent, according to Honoré Noumabeu, a Cameroonian born film director.

“Une Vie Interdite/The Forbidden Life,” produced by Noumabeu, is a documentary that looks look at how homosexuality and transgender are perceived within Québec’s African community.

Stellar performances propel ‘Barney’s Version’

Written by Gregg Shapiro Feb 24, 2011
Paul Giamatti and Dustin Hoffman shine in “Barney’s Version.”

Paul Giamatti and Dustin Hoffman shine in “Barney’s Version.” – Paul Giamatti

Barney Panofsky (Paul Giamatti, who won a Golden Globe for his performance) isn’t the most likeable guy. Married and divorced three times, he is the very definition of unlucky in love.

Accessing ‘Thor’

Written by Gregg Shapiro May 19, 2011
Chris Hemsworth portrays “Thor.”

Chris Hemsworth portrays “Thor.” – Photo: Courtesy

Reasons not to see “Thor”:

Chris Hemsworth: He portrays the Nordic god cum comic book character with an Aussie accent. Hemsworth (in a bad hairpiece) is not that pretty and when he’s shirtless, he’s not shirtless nearly long enough.

Natalie Portman: After spending the entire movie as storm-chasing scientist Jane (me Thor, you Jane, get it?), somewhere between agog and a drool, Portman should consider calling Annette Bening and graciously handing over her Oscar to the better actress.

Derivative ‘Code’ still delivers on suspense

Written by Gregg Shapiro Apr 7, 2011
Jake Gyllenhaal shares a ride with Michelle Monaghan in “Source Code.”

Jake Gyllenhaal shares a ride with Michelle Monaghan in “Source Code.” – Photo: Courtesy

‘Arthur’ remake not as funny or gay as original

Written by Gregg Shapiro Apr 21, 2011
Russell Brand as Arthur

Russell Brand adds color to “Arthur,” now on screens throughout the state. – Photo: Courtesy

Sexually charged “Kaboom” fails to detonate

Written by Gregg Shapiro Feb 24, 2011
Chris Zylka is the stuff of dreams in “Kaboom.”

Chris Zylka is the stuff of dreams in “Kaboom.” – Photo: Courtesy

Queer filmmaker Gregg Araki (“The Living End”) reached a career high with his 2004 film adaptation of Scott Heim’s novel “Mysterious Skin.” That movie was significant, not only because Araki looked to the well-stocked shelves of contemporary gay lit for inspiration, but also for the maturity with which he handled the subject material.