The sprawling and bloodthirsty saga “Game of Thrones,” defying the Emmy Awards’ grudging respect for such fantasy fare, emerged as the leader in the nominations announced Thursday with 19 bids, including best drama series.
Other top nominees included a pair of ambitious miniseries, “Fargo,” with 18 bids, and “American Horror Story: Coven,” with 17.
The Hallmark TV channels are beginning a week's worth of holiday programming on the Fourth of July - but think ornaments and egg nog instead of fireworks and hot dogs.
The stunt on the Hallmark and Hallmark Movie channels begins Friday afternoon and continues into the early morning hours of July 15. Mostly, it will be repeats of the holiday movies that Hallmark traditionally airs during the last two months of the year.
The time-shifting sci-fi thriller "Edge of Tomorrow" has perfectly encapsulated what it is to be a summertime moviegoer. We're dropped into a battlefield of digital effects with the fate of the world at stake. Torrents of gunfire and explosions surround. Some alien clonks us over the head.
We black out and it all happens again. And again.
A long time in the making (Barbra Streisand held up the screen rights for years), the movie adaptation of Larry Kramer’s difficult early AIDS-era play The Normal Heart finally premiered May 25 on HBO. It was a fitting start for the Memorial Day Weekend, as there are so many friends, family and loved ones who must not be forgotten.
Kathy Bates calls herself “an old lion.”
You don’t have to be middle-aged, or even an adult, to know songs like “Sherry,” “Big Girls Don’t Cry,” and “Walk Like a Man.” Sure, they’re ’60s-era hits by The Four Seasons, but they’ve become such pop culture fixtures that even youngsters who’ve never heard the name Frankie Valli could surely croon a few bars in his signature falsetto.
Maybe it’s too soon to say the tide has shifted definitively. But it’s certainly been a unique time for fairy-tale villains.
Netflix is celebrating LGBT Pride Month with a series of films and TV shows with an LGBT theme or LGBT characters or available for streaming.
The video-streaming service also will make Season 2 of "Orange is the New Black" available beginning June 6.
Meet Tammy. Boy, is she a mess. Angry, profane and aggressive, then suddenly shy and sweet. Sometimes she's funny, sometimes totally not. She can't figure out what she wants to do or be, or where to go. She has loads of people around her, yet can't figure out what to do with them. This one's in desperate need of outside help.
And you thought we were talking about Tammy, the character — played by lovable Melissa McCarthy in her first venture as producer, star and co-writer with husband Ben Falcone. Well, sure. But really we're talking about "Tammy" the movie, about which all of the above descriptions are also true.
You thought it was tricky to train a dragon?
It’s even trickier to take a much-admired animated film and make a sequel that feels satisfying and worthwhile. And it’s harder still to balance the competing needs of stretching the story in new directions but retaining the guiding spirit of the original enough to make fans happy.
In Kelly Reichardt’s spare, eco-terrorist thriller, the two spurts of violence that disturb the placid pine forests of the Pacific Northwest are each hazy with fog. One is a misty nighttime bombing of a hydroelectric dam, the other a fatal encounter in a sauna.
A thick moral cloudiness hangs over “Night Moves,” Reichardt’s fifth film. Three disillusioned environmentalist radicals conspire to send a message by blowing up a dam that has upset the local ecosystem. Clad in wet wool hats, they’re far from romantic terrorists like Carlos the Jackal. One, after all, is played by Jesse Eisenberg.
The 67th annual Cannes Film Festival featured a number of remarkable performances, many of them from big-name stars. These were among the actors that had Cannes buzzing:
• Steve Carell: It was an open question which star of Bennett Miller’s “Foxcatcher” turned in the most impressive performance. There’s Channing Tatum as Olympic wrestler Mark Schultz, a physically potent but emotionally stunted man. And as his older sibling and mentor, Mark Ruffalo’s brotherly physicality is also essential. But Carell, with a prosthetic nose and grayed hair, was the one to cause the biggest stir at Cannes for his dramatic turn as the creepy multi-millionaire John du Pont who’s obsessed with the other two.