The San Andreas Fault awakens, unleashing back-to-back jolts that leave a trail of misery from Los Angeles to San Francisco. Skyscrapers crumble. Fires erupt. The letters of the Hollywood sign topple. Tsunami waves swamp the Golden Gate Bridge.
Hollywood’s favorite geologic bad guy is back in “San Andreas” — a fantastical look at one of the world’s real seismic threats.
Yorgos Lanthimos has people in Cannes imagining themselves as animals.
The Greek director has set the Croisette abuzz with his film "The Lobster," which puts Colin Farrell and Rachel Weisz in a couples-dominated world where single people are given 45 days to find a mate, or be turned into the animal of their choice. Farrell's sad-sack central character chooses a lobster, in part because the crustaceans mate for life.
Ryan Gosling has always had a different take on things. He grew up in the company of women in his native town of Cornwall, Ontario, where he was raised by his single mother Donna and spent considerable time learning life lessons from his older sister Mandi. That may well account for his easy-going manner with women and the kind of sensitivity he brings to his screen romances.
Mark Hamill knew he had to say yes when George Lucas told him about the plans to move forward with a new “Star Wars” trilogy.
“It’s not like a choice. It’s like I was drafted,” Hamill told a massive crowd over the weekend at Star Wars Celebration of his decision to reprise his role as Luke Skywalker in the “Star Wars: The Force Awakens.”
Mad Max is back. Three decades after the last installment in the post-apocalyptic film saga Max Max: Thunderdome hit the theatres, legendary director George Miller is resurrecting the cult franchise that turned Mel Gibson into a star and set the standard for all future visions of a dystopian earth: "A world without hope. Without law. Without mercy," intones a voice from the trailer to the film.
It will surely stand as one of the most peculiar and possibly ironic entries in a director’s filmography that in between Joss Whedon’s two “Avengers” films there reads “Much Ado About Nothing”: a low-budget, black-and-white Shakespeare adaption sandwiched between two of the most gargantuan blockbusters ever made.
Jenn (Jenn Harris), a straight, NYC yoga instructor and Matt (Matthew Wilkas), her gorgeous, geeky, gay, comic bookstore-employed BFF have been talking about having a baby together since they were in college. With romantic prospects looking bleak for both of them, they begin making plans for how to have a kid. Jenn prefers the old-fashioned way. And, since they have only officially – and disastrously – had sex once, while in college, they agree to give it a try. That, in a nutshell, is the premise of writer/director/actor Jonathan Lisecki’s funny and sweet rom-com “Gayby.”
Chris Hemsworth is about as ideal a choice to play a Norse god as you could imagine. The strapping 6’3” Aussie has the sandy hair and sculpted features that are perfectly suited to the role of Thor, one of the Avengers dedicated to saving the earth from the forces of evil.
The countless number of paintings, sculptures and other art treasures looted by the Nazis before and during WWII remains a delicate issue. Many museums, art dealers and private collectors have come under intense public pressure to return stolen artworks to their original Jewish owners and their families.
Before she lost her head for her country, Marie Antoinette (Diane Kruger) lost her head for Sidonie (Lea Seydoux), a lady-in-waiting who became the queen’s favorite reader in “Farewell, My Queen.” Spanning the first few tumultuous days of the French Revolution in July 1789 , the film opens with a shot illustrating the vast differences between the worlds outside of and within the walls of Versailles. As bread becomes scarce in Paris, the question becomes how safe is it for the king and queen and their staff of servants.