A gay couple together for almost four decades are separated — at least physically — by factors beyond their control in Love Is Strange, the latest tender and meandering exploration of human relationships from indie darling Ira Sachs (Keep the Lights On, Forty Shades of Blue).
Don’t worry about me. The Sharknado Evacuation map supplied by Syfy network places me, as a resident of Lower Manhattan, smack in the zone most in peril this sharknado season. But I’ll be ready.
You might as well batten down the hatches, too. “Sharknado 2: The Second One” (which, if you hadn’t guessed, is an encore follow-up sequel to last summer’s campy classic) premieres Wednesday (9 p.m. EDT).
The sprawling and bloodthirsty saga “Game of Thrones,” defying the Emmy Awards’ grudging respect for such fantasy fare, emerged as the leader in the nominations announced Thursday with 19 bids, including best drama series.
Other top nominees included a pair of ambitious miniseries, “Fargo,” with 18 bids, and “American Horror Story: Coven,” with 17.
The Hallmark TV channels are beginning a week's worth of holiday programming on the Fourth of July - but think ornaments and egg nog instead of fireworks and hot dogs.
The stunt on the Hallmark and Hallmark Movie channels begins Friday afternoon and continues into the early morning hours of July 15. Mostly, it will be repeats of the holiday movies that Hallmark traditionally airs during the last two months of the year.
"The Good Wife," "Homeland," "Scandal," "Nurse Jackie" and, well, "Girls" are just a few current shows that put women front and center.
And this fall, even more women are stepping up.
“Downton Abbey” will be back for its fifth season on Jan. 4, but the return date for another hit PBS series, “Sherlock,” is up in the air, PBS chief executive Paula Kerger said.
“We will have to wait to know when it’s finished and available,” Kerger said of the mystery starring Benedict Cumberbatch. “Whenever it comes, we’ll put it in a wonderful place.”
Kathy Bates calls herself “an old lion.”
You don’t have to be middle-aged, or even an adult, to know songs like “Sherry,” “Big Girls Don’t Cry,” and “Walk Like a Man.” Sure, they’re ’60s-era hits by The Four Seasons, but they’ve become such pop culture fixtures that even youngsters who’ve never heard the name Frankie Valli could surely croon a few bars in his signature falsetto.
Choreographer Aakomon “AJ” Jones was given 30 days to teach actor Chadwick Boseman to dance like the inimitable James Brown. The task would have been less challenging if Boseman had ever danced professionally.
Woody Allen’s late period has been defined by a quality you wouldn’t have expected from the man who produced the inspired chaos of “Bananas” or the Fellini-esque carnival of “Stardust Memories”: tidiness.
For years now, Allen’s films have been light farces (“Midnight in Paris,” “Vicky Cristina Barcelona”) or neatly structured parables (“Match Point,” “Blue Jasmine”). They breeze in innocuously in the summer, promising pleasant entertainment and not much more.
Meet Tammy. Boy, is she a mess. Angry, profane and aggressive, then suddenly shy and sweet. Sometimes she's funny, sometimes totally not. She can't figure out what she wants to do or be, or where to go. She has loads of people around her, yet can't figure out what to do with them. This one's in desperate need of outside help.
And you thought we were talking about Tammy, the character — played by lovable Melissa McCarthy in her first venture as producer, star and co-writer with husband Ben Falcone. Well, sure. But really we're talking about "Tammy" the movie, about which all of the above descriptions are also true.
You thought it was tricky to train a dragon?
It’s even trickier to take a much-admired animated film and make a sequel that feels satisfying and worthwhile. And it’s harder still to balance the competing needs of stretching the story in new directions but retaining the guiding spirit of the original enough to make fans happy.