What better way to observe National Poetry Month in April than to get lost in the pages of “The Best Of It: New and Selected Poems” (Grove Press, 2010, $24) by out poet Kay Ryan, who was the U.S. Poet Laureate from 2008 to 2010?
If you prefer to have your poetry read to you, there’s “Words For You: The Greatest Poems. The Finest Voices. Glorious Music.” (Mighty Village/Universal), a 22-track CD featuring the work of queer poets such as Langston Hughes, Oscar Wilde and Walt Whitman, alongside Shakespeare, Dickinson, Poe and Longfellow, read by Helena Bonham Carter, Terence Stamp, Meryl Streep, Garrison Keillor and others.
“Do I contradict myself?” poet Walt Whitman asked in “Song of Myself.”
Decades ago now, my history-teaching dad gave me a yellowed copy of John F. Kennedy’s “Profiles in Courage” with the instruction, “Read.”
National Poetry Month (April) has come and gone, but it left us with plenty to ponder and enjoy. Queer poets led the way with several releases of note.
The late gay poet Jame Schuyler’s “Other Flowers: Uncollected Poems” (Farrar Straus Giroux, 2010), edited by James Meetze and Simon Pettet, arrives almost 20 years after his passing and nearly 30 years after he received the Pulitzer Prize for poetry.
“The Cruel Ever After” (Minotaur, 2011) is award-winning lesbian mystery writer Ellen Hart’s latest Jane Lawless Mystery featuring sleuthing Minneapolis restaurateur Jane Lawless.
The late lesbian writer Patricia Highsmith, author of “The Talented Mr. Ripley” and others, is feted in “The Highsmith Reader” (Norton, 2010), featuring an introduction by Joan Schenkar and including the novels “Strangers On A Train” (which became a Hitchcock film), “The Price of Salt,” as well as seven early stories and six later ones.
“I own a homosexual bar,” Helen Branson declared. “In the nomenclature of the homosexual, it is called a Gay Bar.”
Back in the Sixties and Seventies, when a young boy was in his formative years there was no question of being openly gay. Yet there were a number of courses one could take. Most kids did a good job of blending in, some gave up and wore feather boas, and then there were those who tried but had the boa sticking out of their back pocket.
Eric Poole’s new memoir "Where's My Wand" (from Amy Einhorn Books) reminsces about his life in suburban Saint Louis in the mid-1970s. That life had a couple of extra burdens going for it. Of course, what is a burden at the time becomes a bonus when you’re looking for material.
The first bullet that hit Gianni Versace also fatally wounded a mourning dove.
That is the kind of detail readers get from Wall Street Journal reporter and author Deborah Ball in her riveting “House of Versace: The Untold Story of Genius, Murder and Survival,” a new non-fiction work from Random House/Crown Publishing that must be on some desks in Hollywood.
You may not know Grant Wood, but you’re undoubtedly familiar with the artist’s most famous work, “American Gothic,” a somber painting that depicts a dowdy woman and a man holding a pitchfork, standing in front of a small white house. The work has been widely reproduced and has inspired many parodies.
James Lord, in his career as a biographer and memoirist, created revealing portraits of Gertrude Stein, Jean Cocteau, Pablo Picasso and Alberto Giacometti and a vivid documentary of life in post-WWII France.
Lord, who died in August 2009 at the age of 86, was an intimate of Picasso and Giacometti. He knew the Parisian arts community. The New York Times, in an obituary, described him as a “a kind of Boswell to the artistic and social elite in France.”
“The Little Giant of Aberdeen County” is the kind of book you hold in your hand like a gem, a precious thing that gives you comfort and somewhat indulgent pleasure.
The novel, from Grand Central Publishing, is Tiffany Baker’s first. Often a “first” means the reader must forgive problems with plot or characterization, language or style, but not so in the case of “The Little Giant of Aberdeen County,” a queer kind of folktale about family relations, friendships, small-town intolerance, witchcraft and themes of redemption and revenge.