Art Gaze

Art, politics entwine in photo exhibit

Written by Debra Brehmer,
Contributing writer
Mar 24, 2011
Pictures of the recent protests in Madison by Milwaukee photographer Kevin Miyazaki are at the Marshall Building, 207 E. Buffalo St., April 15-16.

Pictures of the recent protests in Madison by Milwaukee photographer Kevin Miyazaki are at the Marshall Building, 207 E. Buffalo St., April 15-16. – Photo: Courtesy

Art and politics are not strange bedfellows. They’ve been holding hands since our ancestors carved the first stone into a tiny goddess called the Venus of Willendorf, giving initial form to a hierarchy of power between earth and the cosmos. Art and power structures entwine as part of larger cultural forces.

Artwatch

Written by Debra Brehmer Jan 13, 2011

Winter Gallery Night is inching closer. On Jan. 21, in the darkest days of our brittle clime, the art world will rally with some fine, toasty offerings. For those brave enough to wander in the crisp night air and risk losing their gloves, rewards await.

The Haggerty Museum of Art on the Marquette campus opens its new star-studded photography show called “The Truth is Not in the Mirror: Photography and a Constructed Identity.” The 23 artists in the show include Tina Barney, Chicago’s Dawoud Bey, Philip-Lorca de Corcia, my personal favorite Rineke Dijkstra, Lee Friedlander, David Hockney, Thomas Ruff – and the beat goes on. Haggerty director Wally Mason organized the show, which focuses on the slippery contingency and cultural shaping of personal identity as it is siphoned through the lens of a camera. There’s a lecture by Minnesota photographer-turned-superstar Alec Soth at 6 p.m. on Jan. 26. He packed the house at Milwaukee Institute of Art and Design a few years ago.

Artwatch

Written by Kat Murrell Dec 30, 2010

Painter Paul Kosek’s first solo exhibition is on view at the Milwaukee Gay Arts Center. His paintings in “Bridging the Gap” are intelligent studies in tension, balance and transformation, beautifully set in the airy and gracious gallery space.

A Chicago native and current Racine resident, Kosek has a long history as an artist and art educator. The paintings in his “HP Series” show assertive compositional handling; the placement of pivotal lines sing in contrast with round forms and shards of overlapping color. Viewed up close, other strong points come through. Kosek’s acrylic paint is opaque, yet applied deftly to allow underpainting and brush strokes to remain visible. Layers build and collaged elements enliven the surface, like a bit of the world caught in the art. Below the painted surface, occasional HP logos from packaging peep through. The detritus of life is something to build another world on.

Chazen Art Museum goes medieval

Written by Kat Murrell,
Contributing writer
Jan 13, 2011
hidden-treasures-illuminated-manuscripts

This page from a choir book, dating to about 1440, is on view in “Hidden Treasures: Illuminated Manuscripts from Midwestern Collections.” – Photo: Courtesy Chazen Art Museum

The Chazen Art Museum is tucked away on the University of Wisconsin - Madison campus, currently obscured by the construction of its new incarnation – a large addition scheduled to open in October. The extra space is welcome, as the Chazen has a collection that reads like a concise encyclopedia of about 3,000 years of art.

White is more than a blank canvas in new show

Written by Kat Murrell,
Contributing writer
Mar 10, 2011
kristin-haas-white

Kristin Haas’ work is shown to dramatic effect in “White.” – Photo: Katie Gingrass Gallery

White is a loaded color. It is absence and emptiness, but also purity and simplicity. White is often extrapolated into the boredom of vanilla, something ordinary and plain. However, the current show at Katie Gingrass Gallery, 241 N. Broadway, Milwaukee, simply titled “White,” is anything but dull. It offers works full of delight and surprise.

Photo op

Written by Debra Brehmer,
Contributing writer
Feb 24, 2011
Photo: Courtesy of the artist/Lehmann Maupin Gallery, New York “Le dejeuner sur l’herbe, Les trois femmes noires” (2010) by Mickaline Thomas.

“Le dejeuner sur l’herbe, Les trois femmes noires” (2010) by Mickaline Thomas. – Photo: Courtesy of the artist/Lehmann Maupin Gallery, New York

“The Truth is Not in the Mirror: Photography and a Constructed Identity” is a survey of contemporary portrait photography, running through May 22 at the Haggerty Museum of Art on Marquette’s campus.

Artwatch

Written by Kat Murrell Dec 16, 2010

The Milwaukee Art Museum has successfully created a monthly After Dark series that presents tours of the current exhibitions in a funky, festive setting. On Dec. 17, from 5 p.m. to midnight, the party will focus on the 1980s in conjunction with the exhibition “European Design since 1985.” Admission is free for members and $12 at the door for non-members. Dress in retro-’80s – leg warmers or maybe some vintage workout gear – and expect live music, a photo booth and other activities.

Tucked into the near South Side, the newly re-located Walker’s Point Center for the Arts, 839 S. Fifth St., is showing a juried survey of Mid-western photography. Sponsored by Milwaukee’s ever-growing Coalition of the Photographic Arts, this annual event presents a range of professional and serious amateur work that adds up to a lively and rewarding visual experience. From fancy cameras to iPhones, our culture is now taking more pictures in more places than ever before. The show runs through Jan. 22.

Artwatch

Written by Kat Murrell Dec 2, 2010

The holiday season is in full force as decorations light up the streets across the city. The Historic Third Ward, one of Milwaukee’s art hot spots, is getting into the spirit with Christmas in the Ward festivities  Dec. 3-4. Catalano Square (on the corner of Broadway and Menomonee) will feature live entertainment, reindeer, and Christmas trees for sale. The Third Ward’s annual tree lighting ceremony takes place at 5 p.m. Dec. 3, and a fireworks display lights up the sky over the river at 6 p.m. Shop windows throughout the ward are decorated this year in silver and gold. Votes for favorite windows will be tallied until Dec. 22, and the winner will be posted on the Historic Third Ward website Dec. 23.

Artwatch

Written by Kat Murrell Jan 27, 2011

Despite the deep freeze of January, the art scene is running pretty hot in Milwaukee, with a number of exhibitions opening and closing.

The Milwaukee Gay Arts Center, 703 S. Second St., holds an opening night reception and costume gala on Jan. 28 for “Urban Fairy Tales: Interpretive Views of the Classics,” which continues through March 5. Featuring Perry Heideman, Pear Photography and the fashion design of Liz Shipe, gala attendees are encouraged to come in fairy tale costumes – with a twist.

MAM offers fresh look at Wright

Written by Kat Murrell,
Contributing writer
Feb 10, 2011
Frank Lloyd Wright’s rendering of the Edgar J. Kaufmann House “Fallingwater” (1934-37). – Photo: 2010 Frank Lloyd Wright Foundation/Scottsdale, Ariz.

Frank Lloyd Wright’s rendering of the Edgar J. Kaufmann House “Fallingwater” (1934-37). – Photo: 2010 Frank Lloyd Wright Foundation, Scottsdale, Ariz.

Frank Lloyd Wright looms large in Wisconsin art history. He was an unabashed genius, a bigger-than-life personality and an icon who created iconic structures. A new exhibition at the Milwaukee Art Museum revisits the master architect’s career from some interesting angles, with more than 150 works that bring out the many facets of his creative practice.

Self portraits get beneath the skin

Written by Debra Brehmer,
Contributing writer
Jan 27, 2011
“Masked” by Stacey Steinberg

“Masked” by Stacey Steinberg is on display at Elaine Erickson Gallery. – Photo: Courtesy

Even in the 1600s, when Rembrandt repeatedly returned to the self-portrait, there was a knowingness to his approach. He dressed in costumes and assumed personas, all in the guise of varying selves. He somehow knew the impossibility of rendering anything that felt like a singular “self” long before theorists started talking about contingency.

Smithsonian exhibit moves from hide to seek

Written by Debra Brehmer Dec 30, 2010
Keith Haring's Unfinished Painting of 1989

Keith Haring’s “Unfinished Painting” of 1989. – Photo: Courtesy

As might be expected, controversy has befallen the “Hide/Seek: Difference and Desire in American Portraiture” exhibition at the National Portrait Gallery in Washington, D.C., through Feb. 13. The show represents the first time a major art museum in the United States has staged a thematic exhibition about gay identity, relationships and the LGBT influences on modern art movements. The fact that the conservative National Portrait Gallery (part of the Smithsonian organization) stepped up to the plate is shocking in and of itself.